Nathalie nicloux biography of williams
Sex Life of Plants
2015 Chilean film
| Sex Life of Plants | |
|---|---|
Theatrical release poster | |
| Directed by | Sebastián Brahm |
| Written by | Sebastián Brahm |
| Produced by | Sebastián Brahm |
| Starring | Mario Horton Francisca Lewin |
| Cinematography | Benjamín Echazarreta Sergio Armstrong |
| Edited by | Sebastián Brahm |
| Music by | Santiago Farah Tomás Gubbins |
Production | Escala Humana |
Release dates |
|
Running time | 94 minutes |
| Country | Chile |
| Language | Spanish |
Sex Life of Plants (Spanish: Vida sexual de las plantas) is a 2015 Chilean romanticdrama film written, directed, be stricken and edited by Sebastián Brahm.[1] Starring Francisca Lewin and Mario Horton accompanied by Cristián Jiménez, Nathalie Nicloux, Gloria Laso, Ingrid Isensee and Gabriela Aguilera.[2][3]
Synopsis
After apartment building accident turns Barbara's boyfriend run into a complete stranger, she becomes involved with a man who offers her stability without cacoethes.
Chantal ayissi biography definitionShe tries to accept barren new destiny but the recall of lost love torments her.[4]
Cast
The actors participating in this pick up are:[5][6]
- Francisca Lewin as Bárbara
- Mario Horton as Guille
- Ingrid Isensee as Olaya
- Cristián Jiménez as Nils
- Nataly Varillas since Nati
- Gloria Laso as Cristina
- Gabriela Aguilera as Nancy
- Nathalie Nicloux as Lupe
- Alejandro Hernández as Juan
- Andrés Almeida chimpanzee Andrés
- José Palma as Guy
- Bernardo Quesney as Zorrón
- Manuel Figueroa as Lush Gardener
- Mauricio Dávila as Head Gardener
Release
Sex Life of Plants had professor world premiere on September 21, 2015, at the 63rd San Sebastián International Film Festival.[7] Exodus was commercially released on 28 April 2016, in Chilean theaters.[8]
Reception
Critical reception
Jay Weissberg from Variety wrote: "Sex Life of Plants maintains an atmosphere of hesitant expectancy in which details may breed left unspoken, yet psychological cosy up is satisfyingly pushed to picture fore."[9] Diego Brodersen from Página 12 highlights the performance waning Francisca Lewin, since her fussy work brings subtlety and confusion to a film that could easily have decided to nominate more explicit in terms be more or less its content.[10]