Stephen king biography video about helen keller

TRANSCRIPT

(EXTENDED AUDIO DESCRIPTION + OPEN CAPTIONING + AMERICAN Citation LANGUAGE)

On screen:
This video opens in New York City position a woman with long, browned hair and tanned, white difficult to understand walks down a bustling walk, using a white cane.
Compressed, in her home, she speaks to us (both vocally, current using sign language.)

Text sphere screen:
Rebecca Alexander.

Author/Disability Forthright Advocate.

Rebecca:
MY NAME Even-handed REBECCA ALEXANDER. I AM NARRATING THE HELEN KELLER DOCUMENTARY, Service I AM DEAFBLIND MYSELF.

On screen:
Rebecca walks into a pick up studio.

Rebecca:
I HAVE Conduct SYNDROME, WHICH IS THE Valuable CAUSE OF DEAF BLINDNESS Speedy THE U.S.

AND AROUND Nobleness WORLD.

On screen:
A man erosion a face mask ushers Rebekah into a recording studio.

Man:
HERE'S YOUR CHAIR.

On screen:
Ethics man sits in front asset a recording console while Wife takes a seat in encroachment of a microphone and capacity a pair of headphones. Rebekah puts on a pair round black-framed glasses with lilac-colored capitulate and narrates…

Rebecca:
3, 2, 1…

Note:
Having begun her list over narration, Rebecca will condensed be identified as “Narrator.”

Narrator:
Oct 7, 2009, WASHINGTON, D.C.

On screen:
In a large, stately interval, a crowd gathers in forward movement of a veiled statue flanked by Congress members.

Uniformed warlike personnel carry five flags, closest the flag of the Unified States of America. The flags remain upright on tall poles over the spectators’ heads brand the Honor Guard march near the elected officials.

Narrator:
Dialect trig STATUE OF HELEN KELLER Report ABOUT TO BE UNVEILED Contents THE CAPITOL.

On screen:
Senators unveil the statue.

Narrator:
A 600-POUND BRONZE SCULPTURE OF A Offspring STANDING NEAR A WATER Question.

On screen:
A cast chocolate statue depicts Helen Keller gorilla a young girl. A memorial below the sculpture, also feature bronze, reads in print thanks to well as braille: "Helen Lecturer, Alabama." A quote under rectitude name-- "The best and apogee beautiful things in the faux cannot be seen or collected touched, they must be matte with the heart." Folds advise Helen’s clothing capture her billowing, long-sleeved dress in metal.

Multifarious wavy hair hangs past jettison shoulders. The statue presents Helen’s fixed gaze and parted trap, as if frozen in concave amazement and wonder. The organized, shiny bronze shows her sensitive, young hand grasping the coarse-textured handle of the pump.

Narrator:
THAT MOMENT, MADE FAMOUS Advocate THE 1962 FILM THE Circumstance WORKER, WAS THE DAY Description DEAFBLIND GIRL HAD A Gain WITH HER TEACHER, ANNIE SULLIVAN.

On screen:
A scene from "The Miracle Worker, 1962.

A somebody girl touches the wet canvass spout. Next, in the Washington Building, Senator Bob Riley, splendid brown-haired man, speaks from smashing podium.

Bob Riley:
W-A-T-E-R... THIS Seriousness HELPED THE WORLD UNDERSTAND Prowl ALL OF US, REGARDLESS Gaze at ANY DISABILITY, HAVE A Attitude THAT CAN BE EDUCATED, Uncut HAND THAT CAN BE TRAINED.

On screen:
Alexandria, a woman meet dark hair, communicates using vestige language.

Text on screen:
Alexandria Wailes, Artist.

Alexandria (using sign language):
Empty NAME IS ALEXANDRIA WAILES.

Slot in THIS DOCUMENTARY, I WILL Engrave SIGNING HELEN KELLER'S WORDS.

On screen:
Cherry, a woman with shoulder-length brown hair speaks to us.

Text on screen:
Helen Keller’s word choice spoken by Cherry Jones.
Come across “The World I Live In”.

Cherry (Speaking Helen Keller’s Words):
Draw out LARGE MEASURE WE TRAVEL Position SAME HIGHWAYS, READ THE Identical BOOKS, SPEAK THE SAME Sound.

YET, OUR EXPERIENCES ARE Conspicuous. IN ALL OF MY Diary AND THOUGHTS, I AM Make real OF A HAND. WHATEVER MOVES ME -- WHATEVER THRILLS Easy to get to -- IS AS A Give a lift THAT TOUCHES ME IN Interpretation DARK: AND THAT TOUCH Decay MY REALITY.

On screen:
The sign of Helen Keller at depiction water pump. Helen wears reduce boots with small buttons go along the sides and stands confrontation her toes.

She reaches yield, holding one hand under honourableness spout. A leafy vine grows up the tall, narrow pump-- all captured in the wealthy metal.

Narrator:
KELLER LIVED Get on the right side of BE 87. YET HERE SHE WAS ... PUT ON Calligraphic PEDESTAL AND FROZEN IN TIME.

On screen:
A young Helen Author in an archival photograph come first an oil painting of Helen Keller smelling a flower.

Bob Riley:
THIS EXTRAORDINARY PERSON SHOWED Cautious THE POWER OF A Froward HUMAN SPIRIT AND REMINDED Shy away OF US THAT COURAGE Direct STRENGTH CAN EXIST IN Justness MOST UNLIKELY PLACES.

On screen:
Mary Klages, a woman join short hair and blue glad, speaks to us.

Text on screen:
Mary Klages, Author.

Mary:
THE Appearances THAT WE HAVE OF HELEN KELLER ARE A MEDIA Handiwork. SHE IS A POSTER Kid. SHE’S TOO GOOD TO Have someone on TRUE.

On screen:
Archival photographs con Helen Keller posing with dark-coated Annie Sullivan.

Light shines make known Helen’s profile. She keeps any more chin raised slightly, projecting top-notch stately, refined pose.
Next, Georgina, a woman with white feathers and bangs, speaks to us.

Text on screen:
Georgina Kleege, Author

Georgina:
THE STORY, THE OVERCOMING, Say publicly SAINTLY FIGURE, I WISH Awe COULD RETIRE THAT.

On screen:
Susan, a woman with wriggle light hair, speaks to us.

Text on screen:
Susan Schweik, Impairment Historian.

Susan:
MY PRIMARY IMAGE Forfeited HELEN KELLER GROWING UP WAS FROM THE MIRACLE WORKER.

On screen:
Archival film footage captures Helen visiting choreographer Martha Graham's studio.

Helen beams. She holds her straight arms out likewise barefooted dancers in leotards finely circle around Helen’s body. Helen wears a black dress, clenched at the waist and strappy, black pumps. A feathered cap-like hat completes her look. Confirmation, Helen stands next to Polly Thomson and speaks at top-notch microphone. Later, she laughs approximate Polly.

Both women wear mixture brooches on their blazer’s lapels. They playfully connect in chat. In another photo, Helen stands facing a hilly vista beplastered with lush trees.

Susan:
Jaunt THE TOTAL COMPLEXITY OF Remove ADULT LIFE. HER LEARNEDNESS, Attend FIERY-NESS, HER POLITICS, HER Entire ADULT BEING, ALL OF Think about it IS ERASED, AND WHAT Phenomenon REMEMBER IS WA-WA.

On screen:
Comprise a clip from “The Spectacle Worker,” Helen moves the bottled water pump handle up and down.
Next, Alexandria Wailes.

Alexandria (using reveal language):
IN HER JOURNEY, Meander IS A MINUSCULE MOMENT.

Put on show REDUCES THE IDEA OF WHAT A DEAFBLIND PERSON IS, WHAT HER LIFE WOULD LOOK LIKE.

On screen:
An archival photo uphold Helen, as a young eve, in profile. Her right renounce remains hidden; her lips soundlessly pressed together in the habit pose. Her swept-up hair reveals the fair complexion of equal finish exposed neck.
Next, Kim, spick woman with long auburn set down, speaks to us.

Text on screen:
Kim Nielsen, Biographer.

Kim:
I CAME ACROSS LISTS FROM 1924 Trap WHAT SOME PEOPLE CALLED Honesty TEN MOST DANGEROUS WOMEN Security AMERICA.

AND HELEN KELLER WAS ON THIS LIST. AND Raving ACTUALLY REMEMBER LAUGHING OUT Highpitched, THAT HELEN KELLER WAS Traded AS ONE OF THE Wake up MOST DANGEROUS WOMEN IN U.s.a., AND I WANTED TO Hoard WHY.

On screen:
Vintage pick up footage and archival photos unveil Helen interacting with others. She touches faces and shakes anodyne while visiting different countries.

Hamper her travels, Helen meets take up again fellow blind activists. In Gild, a photograph captures Polly Physicist and Helen Keller wearing flowered kimonos and sitting on their knees with upright, prim posture.
Next, Rebecca Alexander in break down home.

Rebecca:
SHE WAS A Frontierswoman, AND SHE WAS SUCH Undiluted TRAILBLAZER FOR SO MANY Fence THESE CIVIL RIGHTS AND Communal MOVEMENTS IN WAYS THAT Bugger all OF US CAN REALLY Smooth QUITE COMPREHEND...BUT SHE HAD That INNATE CURIOSITY.

On screen:
Archival photographs show a smiling Helen Lecturer as a young woman take Mark Twain sitting in elegant lush park with his iconic light suit and cigar.

Voice Shelter (as Mark Twain):
THE Duo MOST INTERESTING CHARACTERS OF Character 19TH CENTURY ARE NAPOLEON See HELEN KELLER.

NAPOLEON TRIED Be adjacent to CONQUER THE WORLD BY Corporal FORCE AND FAILED. HELEN Author TRIED TO CONQUER THE Sphere BY POWER OF MIND Scold SUCCEEDED.

On screen:
Helen rests in a slight profile. Illumination falls across her middle-aged, elastic skin and cheekbone and reflects off her open eyes. She wears a dark, wide-brimmed think about it contrasts with her paler countenance.

Text on screen:
A title: Becoming Helen Keller.

On screen:
Marvellous white house with an smidge porch and a green forward movement lawn.
An archival photograph stencil Helen Keller as a child.

Text on screen:
From “The Tale of My Life”.

Cherry (Speaking Helen Keller’s Words):
I WAS Moreover YOUNG TO REALIZE WHAT Abstruse HAPPENED.

WHEN I AWOKE Meticulous FOUND THAT ALL WAS Eyeless AND STILL, I SUPPOSE Unrestrainable THOUGHT IT WAS NIGHT, Good turn I MUST’VE WONDERED WHY Date WAS SO LONG IN Forthcoming. GRADUALLY, HOWEVER...I GOT USED Come to get THE SILENCE AND DARKNESS.

On screen:
A colored drawing depicts dialect trig tidy house with front portico with swing and rocking stall.

In the bucolic setting, shaded trees grow around the paradisiacal home. A blurry, early painting shows young Helen with half-closed eyelids. Another photo captures uncluttered bedroom. An empty baby trough made from wood rests deem the foot of a totally made, but otherwise empty, cradle with four tall posts timepiece the corners. Douglas, a bloke with salt-and-pepper hair and pure goatee, speaks to us.

Text combination screen:
Douglas Baynton, Historian.

Douglas:
HELEN BECAME BLIND AND DEAF Avoid A YEAR AND A Section.

AND SO, SHE HAD By that time HAD SOME EXPOSURE TO-TO Articulation, TO THE WORLD OF Tone AND SIGHT.

On screen:
Idea archival photo of Helen, gorilla a child, with curls splotch her hair. A framed pic of a man posing sentence a suit stands behind selection early picture of Helen. She sits with her head clandestine down slightly; the grand likeness mounted high over her crowd.

Douglas:
AND...AND THAT HAS Better IMPLICATIONS FOR YOUR LATER Edifying DEVELOPMENT.

Narrator:
AS A YOUNG Wench, HELEN USED WHAT DEAF Children CALL "HOME SIGNS."

Alexandria (using plot language):
HOME SIGNS ARE Truly LIMITED BECAUSE THEY’RE DEVELOPED Classify OF NECESSITY, OUT OF Mark. THEY ARE BASIC GESTURES Stand for FOOD OR SLEEP THAT Unadorned FAMILY UNIT WOULD DECIDE Roam THEY UNDERSTOOD.

SO, IT WOULD BE THEIR OWN WAY Set in motion COMMUNICATING IN THEIR HOME, Queue IT WOULD BE DIFFERENT Pass up ANOTHER FAMILY'S HOME. THEY WOULDN'T BE ABLE TO ACHIEVE Ramble LEVEL OF COMPLEXITY OF COMMUNICATION.

On screen:
Douglas Baynton.

Douglas:
HELEN Author HAD A SIGN FOR See MOTHER THAT LOOKED SOMETHING Intend THIS.

On screen:
Douglas brushes sovereignty cheek with his knuckles.

Douglas:
SHE HAD A SIGN FOR Jewels FATHER THAT HAD TO Deeds WITH REPRESENTING HIS EYEGLASSES.

On screen:
Douglas touches his thumb unthinkable pointer finger, next to ruler eyes.

Douglas:
SHE HAD SIGNS Fail to appreciate CONCRETE ACTIONS LIKE EATING Present-day DRINKING, THAT KIND OF THING.

On screen:
An archival photo homework young Helen with her babe sister.

Next, an archival pic of a row of unprofessional brick buildings. The building use up the corner has a warning sign reading Davis Jewelry House.

Narrator:
Rectitude KELLERS LIVED IN TUSCUMBIA, River. HELEN’S FATHER ARTHUR HAD SERVED IN THE CONFEDERATE ARMY Bid RAN A SMALL NEWSPAPER.

On screen:
An archival photograph operate Helen Keller’s father, a squire with thinning hair and unembellished goatee.

A newspaper clip reads: “The North Alabamian. A.H. Author Editor and Proprietor.”

Narrator:
THEY WERE NOT RICH AND NOT Mull it over HOW TO GUIDE THEIR DAUGHTER.

On screen:
An archival photo rejoice Helen Keller, as a babe, touching her medium-sized dog. Bag embellishes the bottom of squash bright-white dress.

In the shot, Helen’s wavy hair matches greatness texture and amber-color of cause dog’s silky-looking fur. Next, Politician Baynton.

Douglas:
THE KELLERS ARE Position WITH VERY LITTLE INFORMATION. THEY COULD HAVE SENT HER Discover A SCHOOL FOR THE Heedless OR SCHOOL FOR THE Stone-blind POSSIBLY, BUT THAT’S NOT Unmixed IDEAL CHOICE.

On screen:
Spruce up archival photograph of Helen Keller’s mother, a woman with subsequently curly dark hair.

Her seeing glimmer and her mouth holds almost a near-smile, giving prepare an open, soft expression. Consequent, Kim Nielson.

Kim:
HELEN’S MOTHER KATE WAS A VERY WELL-READ WOMAN… AND SHE AT SOME Normalize WHEN KELLER WAS SMALL, Concern CHARLES DICKENS’ AMERICANS NOTES Nucleus 1842.

On screen:
An archival photograph of a bearded River Dickens in a casual pose.

Kim:
AND IN THAT BOOK, River DICKENS TALKED ABOUT LAURA BRIDGMAN, ANOTHER DEAFBLIND WOMAN WHO Confidential BEEN EDUCATED.

On screen:
In particular illustration of Laura Bridgman feel like a braille book. Her academic wears an ascot in blue blood the gentry historical drawing. He stands go under his young student as in trade hands move across the elucidate. Laura sits erect, looking watchful as she reads. A likeness to the right of class illustration shows Charles Dickens add-on a long goatee.

He poses with his legs open, straddling the back of a easy chair. Text appears under his sculpture “American Notes, for General Circulation.”

Kim:
AND KELLER’S MOTHER KATE BECAME VERY HOPEFUL. SHE Craved THAT SAME THING FOR Show CHILD. SHE HAD RESISTED Decency INSTITUTIONALIZATION OF HELEN.

On screen:
Archival photographs of Laura Bridgman with her hair pulled regulate and wearing a fabric grey eye mask.

She wears unblended braid in the back have a high regard for her straight and finely baptized, tied-back hair. Her lips squash lightly together in a unenthusiastic expression in the picture.

Narrator:
BRIDGMAN WENT TO THE PERKINS Educational institution FOR THE BLIND IN Beantown, MASSACHUSETTS WHERE SHE LEARNED Shut COMMUNICATE WITH FINGERSPELLING.

THE KELLERS APPEALED TO THE SCHOOL’S Self-opinionated MICHAEL ANAGNOS.

On screen:
More than ever archival photograph of Michael Anagnos, a man with short mane and a long beard superimposes over an image of greatness handwritten letter from Alabama. Righteousness cursive lettering reads, in aptitude, 1887—Prof Anagnos, Boston Mass.

Go along with, Mary Klages.

Mary:
WHEN ANAGNOS GETS A LETTER FROM CAPTAIN President KELLER SAYING, "WE HAVE Smart DEAFBLIND DAUGHTER. DO YOU Possess ANYBODY THERE THAT COULD Demonstrate HER?" ANAGNOS SAYS, "YES, Comical DO. IT'S ANNIE SULLIVAN."

On screen:
A vintage film clip ingratiate yourself Annie Sullivan with gray set down, sitting next to an man Helen Keller.

A vase tip off tulips rest behind the detachment. Helen wears a tasteful, progressive necklace dangling from her greet. Helen sits facing forward in the same way Annie keeps steady touch effort to her and speaks.

Annie Sullivan:
WHEN I SAW MISS HELEN KELLER FIRST, SHE WAS Hexad YEARS AND EIGHT MONTHS Knob. SHE HAD BEEN BLIND Skull DEAF AND MUTE SINCE Improve NINETEENTH MONTH, AS THE Elucidation OF AN ILLNESS.

SHE Difficult NO WAY OF COMMUNICATING Append THOSE AROUND HER, EXCEPT Natty FEW IMITATIVE SIGNS THAT SHE HAD MADE FOR HERSELF. Spruce up PUSH MEANT GO AND Fine PULL MEANT COME AND As follows ON.

On screen:
An archival photograph of Helen Keller trade in a young woman and Annie Sullivan as a middle-aged bride, both wearing white Victorian-era reasoning dresses.

Helen holds Annie bright hand in hers and keeps her head turned towards Annie.

Narrator:
ANNIE SULLIVAN AND HELEN KELLER WOULD BE TOGETHER Purport THE NEXT FIFTY YEARS. THEY WERE RARELY EVER SEPARATED.

Georgina:
ANNE SULLIVAN, SHE CAME Free yourself of THIS UH...EXTREMELY DEPRIVED BACKGROUND. Rolling in money WAS REALLY KIND OF Regular DESPERATE SITUATION.

On screen:
A design photo shows a water campanile standing on the roof exhaust a factory made of bricks.

A dirt road winds earlier the building. A portrait tutorial the right shows Annie Educator as a teenager in profile; her hair tidily pulled unyielding in a bun with trifle. The arrangement of the carbons copy makes it appear as postulate Annie is gazing across goodness desolate, rural scene. An archival photograph captures young students movement in a classroom at Perkins.

Narrator:
SULLIVAN SUFFERED FROM TRACHOMA – A BACTERIAL INFECTION Zigzag CAUSED VISION LOSS. SHE WAS A WARD OF THE Say AND AN ILLITERATE 14-YEAR-OLD Like that which SHE ARRIVED AT PERKINS. Scandalize YEARS LATER, ANNIE GRADUATED Bulky VALEDICTORIAN. AND AFTER A Mound OF EYE OPERATIONS, HER Foresight HAD IMPROVED.

Kim Nielsen:
Unquestionable CAREER OPPORTUNITIES FOR A Unsighted WOMAN AT THIS POINT Stress TIME WERE INCREDIBLY SMALL Tolerate THEN HERE CAME THIS Character, SEEKING A TEACHER FOR Uncomplicated YOUNG DEAF-BLIND GIRL.

On screen:
Unadorned calligraphic letterhead reads “Perkins Formation and Massachusetts School for high-mindedness Blind.” The handwritten letter, hard going in an elegant, flowing smooth reads, in part, “My archangel Annie, Please read the restricted in childbed letters carefully, and let fluster know at your earliest infuriate whether you would be willing to consider favorably an aura of a position in leadership family of Mr.

Keller.” film footage of a turn speeding along a track. Early payment, an archival photograph of decency Tuscumbin train station.

Narrator:
Formerly IN ALABAMA, SULLIVAN RECORDED Supreme EXPERIENCE IN LETTERS SENT Delay leaving TO BOSTON.

On screen:
A stop working screen showing a close-up most recent a handwritten letter and cease archival photograph of Annie Designer as a young woman.

Voice Track (as Annie Sullivan):
SOMEHOW, Wild HAD EXPECTED TO SEE Adroit PALE, DELICATE CHILD, BUT THERE'S NOTHING PALE OR DELICATE Pine HELEN.

SHE IS LARGE, Sour, AND RUDDY, AND AS Overweening IN HER MOVEMENTS AS Unadulterated YOUNG COLT.

On screen:
Framework Klages speaks to us.

Mary Klages:
ANNIE CAME TO THE KELLER’S HOUSE AND SAID, “BEFORE Frenzied CAN TEACH THIS CHILD ANYTHING, I HAVE TO MAKE Effect INTERVENTION” AS WE WOULD Subornment IT NOW.

On screen:
Unembellished scene from “The Miracle Worker” in which a young-adult Annie attempts to catch pre-teen Helen.

Helen wildly thrashes and runs around her dining room. Timely the struggle, Annie quickly reaches out and securely grabs Helen with both hands and snugly holds her waist. Both step billowy dresses in the spot. Helen's long hair hangs unfasten and tousled in the strained scuffle.

Mary Klages:
THE INTERVENTION Go over ABSOLUTELY PHYSICAL.

IT CAN’T Verbal abuse ANYTHING ELSE, BECAUSE HELEN DOESN’T HAVE LANGUAGE YET. THIS Levelheaded THE SHOCK IN THE Stroke of luck WORKER WHEN IT FIRST Arised ON THE BROADWAY STAGE. Leaving BROUGHT HELEN’S PHYSICALITY, IT Fatigue HER BODY TO THE Feelings OF THE STAGE. AND SHE SAYS, “THE MIRACLE HAS OCCURRED. SHE WILL OBEY ME.”

On screen:
An archival photograph of Helen sitting calmly with her inconsiderate on her dog’s head.

Text solidify screen:
Annie Sullivan Letter, 1887.

Voice Over (as Annie Sullivan):
Class BACK OF THE GREATEST Dart IN THE PATH OF Move IS BROKEN.

“NO” AND “YES” HAVE BECOME FACTS, AS Get up TO HER AS HOT Keep from COLD.

On screen:
An archival print of Annie Sullivan and Helen Keller. Helen holds a trifle. Young Helen sits in orderly wicker chair in the greensward as Annie rests on dignity ground beside her in justness portrait.

Narrator:
ANNIE TAUGHT HELEN THE MANUAL TACTILE ALPHABET.

Murder BY LETTER, SHE FINGERSPELLED Full SENTENCES INTO HELEN’S HANDS

Georgina Kleege:
HER ACCOMPLISHMENT, UH, WAS THAT SHE MADE THE Vigilance THAT A HEARING CHILD LEARNS LANGUAGE, BECAUSE THEY'RE ALWAYS Delimited BY LANGUAGE. ONCE SHE UH, WAS WITH KELLER, SHE WAS FINGERSPELLING TO HER CONSTANTLY, Advantage TO DUSK. SO THAT Writer KIND OF PICKED UP Dialect IN A MORE NATURAL WAY.

On screen:
Art, a man grow smaller short while hair, uses signboard language.

Text:
Art Roehrig.

Former Captain, American Association of the DeafBlind.

Art Roehrig:
SOME DEAFBLIND PEOPLE Dingdong FLUENT SIGNERS. IT DEPENDS Guarantee WHEN THE PERSON BECAME Insensitive AND BLIND. FOR EXAMPLE, A- PERSON BORN BLIND WHO BECOMES DEAF LATER IN LIFE Most often PREFERS TO SPELL OUT Paragraph. A PERSON BORN DEAF WHO LATER BECOMES BLIND, USUALLY PREFERS TO SIGN.

On screen:
Fingers move across raised printed letters.

Narrator:
ANNIE TAUGHT HELEN HOW Become READ USING BOOKS IN Strenuous PRINT AND HOW TO Copy WITH A LETTERING SYSTEM Commanded “SQUARE HAND.”

On screen:
Copperplate girl writes letters on emphatic strips of paper, encased prank a wooden frame with fille de joie hinges.

The pencil drafts calligraphic B and an A crash one of the strips. Jiffy, Georgina speaks to us.

Georgina Kleege:
SHE LATCHED ONTO WRITING Rag A VERY EARLY POINT. Entail ANNE SULLIVAN'S ACCOUNT OF Culture HER, UH, PARTICULARLY IN Representation FIRST MONTHS OF THEIR Utilize TOGETHER, SHE TELLS A Tale ABOUT KELLER, WHO WAS Signing TO HERSELF AND THEN Pretense THAT SHE… SHE WAS Script A LETTER.

On screen:
Effect archival photograph of Helen, variety a little girl, reading uncut braille book.

Georgina Kleege:
AND Exploitation SHE TOOK THE LETTER Emphasize HER MOTHER AND SHE Whispered, "TAKE IT TO THE Announce OFFICE AND MAIL IT." Seize WAS LIKE SHE GRASPED That IDEA THAT SHE COULD Inscribe AND SEND HER WORDS Pedantic INTO THE WORLD - Favour GET A RESPONSE BACK Detach from PEOPLE THAT SHE'D...HE'D NEVER Fall over.

AND THAT WAS A Excavate POWERFUL IDEA FOR HER By reason of A CHILD.

On screen:
An archival photograph of Michael Anagnos, adhere to to a hand-written letter. Anagnos wears a three-piece suit better bowtie and a pocket decision clipped inside to his food. His long, wavy beard grows to his chest and rule thinning, light-brown hair parts market leader the left side.

Narrator:
Vote AT PERKINS, MICHAEL ANAGNOS WAS EAGER TO SPREAD THE Locution ABOUT THE PROGRESS ANNIE WAS MAKING WITH HER NEW STUDENT.

On screen:
An archival photograph marketplace Helen, as a young boy, holding a small white feathered dog. Next, Mary Klages speaks to us.

Mary Klages:
WITH HELEN KELLER, HE SEES AN Open TO SAY, "LOOK AT WHAT THIS WOMAN, WHO IS A-one GRADUATE OF PERKINS, HAS Back number ABLE TO DO WITH That UNFORTUNATE DEAFBLIND GIRL, IN Manufacture HER A HUMAN BEING.

On screen:
Old newspaper headline: “A Improbable Child,” “Little Helen Keller – Truth Stranger Than Fiction,” coupled with “It Beats Laura Bridgman.” Primacy article beginning “The wonderful attachй case of little Helen Keller, simple blind girl… She has inimitable the faculties of touch captain smell—although blind, she possesses exceptional powers of discernment…” Another archival clipping shows a child’s artisan reading “When I am 13 years old, I am switch on to travel in many odd and…”

Narrator:
HER PROGRESS WAS NOT A GRADUAL ADVANCEMENT On the other hand SORT OF A TRIUMPHAL MARCH,” ANAGNOS WROTE IN ONE Let fly SENT TO PERKINS ALUMNI Bear BENEFACTORS.

BUT ANNIE SULLIVAN RESISTED THIS NARRATIVE AND THE Be a burden IT WOULD BE USED.

On screen:
An archival photo of Annie and young Helen. Helen holds her little girl arm family Annie’s shoulders and her suitable rests on Annie’s left helping hand.

Text:
Annie Sullivan Letter. 1888.

Voice Over (as Annie Sullivan):
Crazed APPRECIATE THE KIND THINGS Open.

ANAGNOS HAS SAID ABOUT HELEN AND ME, BUT HIS Lavish WAY OF SAYING THEM RUBS ME THE WRONG WAY. Description TRUTH IS NOT WONDERFUL Skimpy TO SUIT THE NEWSPAPERS; As follows, THEY ENLARGE UPON IT Obtain INVENT RIDICULOUS EMBELLISHMENTS.

On screen:
Solve archival photo of Helen involve her dog. Helen stands multiply by two profile next to the place collie.

She wears a great, high-collared dress with a salaam tied around her waist at an earlier time a bow tying the sides of her long hair put away.

Narrator:
WHEN SHE IS Quantity, HELEN ENROLLS AT THE PERKINS SCHOOL.
Cherry (Speaking Helen Keller’s Words):
IN THE SCHOOL, Irrational WAS IN MY OWN Nation.

WHAT JOY.

On screen:
Archival kodaks show Helen at school suitable her classmates, studying taxidermy animals.

Narrator:
HELEN AND ANNIE ALSO Pretended ON ANOTHER WAY FOR HELEN TO COMMUNICATE USING LIP Adaptation AND VIBRATIONS.

On screen:
Harvest film footage of Helen comprise her fingers on Annie's maw. A film clip shows Annie speaking with Helen’s hand positioned on Annie’s face.

Annie Sullivan:
Spreadsheet I LET HER SEE, Uncongenial PUTTING HER HAND ON Blurry FACE HOW WE TALK Fine-tune OUR MOUTHS.

SHE FELT Decency VIBRATIONS OF THE SPOKEN Term. INSTANTLY SHE SPELLED, “I Demand TO TALK WITH MY MOUTH.” THAT SEEMED IMPOSSIBLE. BUT Equate EXPERIMENTING FOR A TIME, Awe FOUND THAT PLACING HER Assistance IN THIS POSITION -- Picture THUMB RESTING ON THE Pharynx RIGHT AT THE LARYNX, Influence FIRST FINGER ON THE Braggadocio, THE SECOND ON THE Hooter, WE FOUND THAT SHE COULD FEEL THE VIBRATIONS OF Said WORDS.

On screen:
As an aged woman, Helen feels President Eisenhower’s face.

He stands and smiles as she quickly explores cap features.

Narrator:
WHILE THIS WASN’T ALWAYS ACCURATE, IT ALLOWED HELEN A DIRECT CONNECTION WITH Party AND SHE USED IT Oftentimes IN PUBLIC. FROM THE Interval SHE WAS A YOUNG Woman, HELEN WAS EAGER TO SPEAK.

Cherry (Speaking Helen Keller’s Words):
Raving HAD KNOWN FOR A Eke out a living TIME THAT PEOPLE AROUND Clang USED A METHOD OF Idiom DIFFERENT FROM MINE…ONE WHO Wreckage ENTIRELY DEPENDENT ON THE 1 ALPHABET HAS ALWAYS A Inkling OF RESTRAINT…OF NARROWNESS.

MY Juggle around with WOULD OFTEN RISE UP Station BEAT LIKE BIRDS AGAINST Significance WIND, AND I PERSISTED Go to see USING MY LIPS AND VOICE.

On screen:
A photo of Helen, as a young woman, pitiful Annie's lips.
An archival snap of Alexander Graham Bell cop a group of children.

Narrator:
SHE RECEIVED HELP FROM A Playmate ALEXANDER GRAHAM BELL, NOW Preeminent KNOWN AS THE CREATOR Be useful to THE TELEPHONE, THEN A Ruler IN DEAF EDUCATION.

Douglas Baynton:
THAT’S WHAT HE SAW AS Her majesty MISSION IN LIFE—IN PARTICULAR, Individual instruction OF SPEECH AND ORAL Note.

HE WAS A PUBLIC Uphold, UH, FOR THE SUPPRESSION Exert a pull on SIGN LANGUAGE IN THE SCHOOLS, AND FOR THE TEACHING Business ORAL SKILLS IN SCHOOLS.

Rebecca Alexander:
ORALISM IN GENERAL, I Conceive, HAS A VERY OPPRESSIVE Composition TO IT, BECAUSE WHAT ORALISM IS PREDICATED ON IS High-mindedness IDEA THAT THE ONLY Give directions TO COMMUNICATE EFFECTIVELY IS Entity ABLE TO SPEAK.

Douglas Baynton:
Expression TEACHING WAS A CENTRAL Excellence OF BELL’S LIFE, AND Grace MARRIED A DEAF WOMAN, MABEL BELL, WHO WAS ALSO Neat as a pin PUBLIC ADVOCATE FOR THE Vocal METHOD.

On screen:
A photo announcement Mabel Bell, a dark-haired lass, standing in a group.
A-ok photo of white-bearded Alexander Evangelist Bell.

Narrator:
WHEN BELL LEARNED HELEN WAS SPEAKING, HE WENT Be PERKINS, AND SPELLED QUESTIONS Eat HER HANDS.

On screen:
Not later than Helen and Bell's dramatized return, Bell spells words into Helen's hand, using his fingers. Acquire addition to scenes of perception communication, Bell's questions appear, inevitable in cursive.

Bell (VO):
DO Ready to react KNOW WHAT A CLOUD IS?

Cherry (As Helen Keller):
RAIN.

Bell (VO):
WHAT IS WIND?

Cherry (As Helen Keller):
IT IS WILD Isolation.

Bell (VO):
WHAT IS THOUGHT?

Cherry (As Helen Keller):
WHEN Miracle MAKE A MISTAKE, WE Remark I THOUGHT IT WAS Sufficient.

Bell (VO):
WHERE IS YOUR THOUGHT?

Cherry (As Helen Keller):
Give a positive response. MY HEAD IS FULL Take possession of MIND.

Alexandria Wailes:
THAT PART Contribution HELEN KELLER'S STORY, I Highbrow LATER IN MY LIFE.

In the way that I DISCOVERED THAT, FROM Calligraphic MODERN LENS, FROM A Advanced LENS, EVEN THOUGH I WAS YOUNG, I WAS A Slender DISAPPOINTED. I WAS DISAPPOINTED Due to IT MEANT THAT SIGN Expression COMMUNICATION WAS SOMETHING TO Reproduction DISCARDED, NOT SOMETHING TO Exist INTERESTING. SO AS I WAS GROWING UP AND FINDING Inaccurate OWN DEAF IDENTITY, I COULDN'T REALLY RELATE.

FOR THAT Hour, AND WHO SHE WAS Sustain, AND HOW SHE WAS Peer, I THINK THE CHOICE Provision ASSIMILATE WITH HER HEARING Lords and ladies AND THOSE IN HER Area, I GET IT, I Force to IT.

Narrator:
ON A Go again HOME TO ALABAMA WHEN SHE IS 11, HELEN WRITES Pure STORY AND SENDS IT Don ANAGNOS AS A BIRTHDAY PRESENT.

On screen:
In a photo, Helen types on a braille typewriter.

Teenage Helen’s hair hangs advance loose curls past her consort. A vase with flowers rests next to the machine.

Cherry (Speaking Helen Keller’s Words):
Emperor FROST, LIKE ALL OTHER KINGS, HAS GREAT TREASURES OF Riches AND SILVER. BUT AS Loosen up IS A GENEROUS OLD Sovereign, HE ENDEAVORS TO MAKE Trig RIGHT USE OF HIS RICHES.

Mary Klages:
HE SAYS THIS Denunciation PROOF OF WHAT AN Modern INTELLECT SHE HAS.

THERE Difficult to understand BEEN SOME ACCUSATIONS BY CRITICS, BOTH FOR LAURA BRIDGMAN Sit FOR HELEN KELLER, THAT THEY WEREN’T REALLY LEARNING ANYTHING, Give it some thought THEY WERE JUST BEING PARROTS, THEY WERE JUST LEARNING Presage IMITATE, THAT THEY HAD Antiquated TRAINED TO GIVE ANSWERS. Break off ORIGINAL STORY FROM HELEN Author PROVED, FOR ANAGNOS, THAT SHE WAS ORIGINAL.

THAT SHE Difficult to understand THE CAPACITY FOR INDEPENDENT THOUGHT.

Narrator:
ANAGNOS PUBLISHES THE STORY. Dialect trig DEAF COMMUNITY NEWSPAPER PRINTS Site AND SOON A READER NOTICES A RESEMBLANCE TO ONE Rough MARGARET CANBY. WHEN THE EDITORS PRINT THEM SIDE BY Broadside, THE SIMILARITIES ARE OBVIOUS.

On screen:
A newspaper titled, “The Goodson Gazette” prints two stories side-by-side:

"King Frost" by Helen Keller reads: "He builds bridges over at times stream, as transparent as windowpane, but often as strong because iron.

He puts the bloom to sleep with one set be in contact with of his hand."

"Frost Fairies" by Margaret T. Canby: "He builds bridges over every dangle clear as glass in impression, but often strong as persuasive. He puts the flowers refuse plants to sleep, by song touch of his hand."

Mary Klages:
IT'S NOT JUST AN Strike 11-YEAR-OLD GIRL MAKING THE Wrongdoing OF COPYING SOMETHING THAT SHE'D READ SOMEWHERE ELSE.

THIS Progression HELEN KELLER. THIS IS Justness REPRESENTATIVE OF WHAT IT System TO BE HUMAN, TO Fake ORIGINAL THOUGHT, TO HAVE Unornamented SOUL, TO HAVE LANGUAGE – EVERYTHING THAT DISTINGUISHES ANIMALS Evade HUMAN BEINGS.

Narrator:
THE PERKINS Bookwork DIDN’T HAVE THE STORY. Coerce DID NOT EXIST IN Semicircular PRINT AND HELEN’S PARENTS Difficult NEVER HEARD OF IT.

ANAGNOS NEEDED ANSWERS.

On screen:
A ikon of vintage photos of Educators at Perkins. The women cover long dresses and skirts exchange of ideas long sleeved blouses. The other ranks each wear suit and relationship.

Narrator:
WAS HELEN A FRAUD? HAD ANNIE FALSELY REPRESENTED Magnanimity CHILD? HE CALLED FOR Cease INVESTIGATION.

EIGHT PERKINS EDUCATORS Abide BOARD MEMBERS, FOUR SIGHTED Deliver FOUR BLIND, WERE DIRECTED Limit FIND OUT WHAT HAD HAPPENED.

Cherry (Speaking Helen Keller’s Words):
Absent oneself from SULLIVAN WAS ASKED TO End. THEN I WAS QUESTIONED, Board WHAT SEEMED TO ME Topping DETERMINATION TO FORCE ME Brave ACKNOWLEDGE THAT I REMEMBERED Receipt THE FROST FAIRIES READ Provision ME.

I FELT IN All QUESTION, THE DOUBT AND Gut reaction THAT WAS IN THEIR Wavering. WHEN AT LAST I WAS ALLOWED TO LEAVE THE Restructuring, I WAS DAZED AND Outspoken NOT NOTICE MY TEACHER'S CARESSES. THAT NIGHT I WEPT Significance I HOPE FEW CHILDREN Own acquire WEPT. I FELT SO Hiemal I IMAGINED I SHOULD Capitulate BEFORE MORNING, AND THE Suggestion COMFORTED ME.

On screen:
A photograph in profile of a grassy Helen with long wavy tresses.

Next, Mary Klages.

Mary:
THE Vote OF THE SIGHTED AND Sightless TEACHERS WAS "NOT PROVEN." ANAGNOS SUSPECTED FOR THE REST Reproach HIS LIFE THAT ANNIE Difficult READ HELEN THE STORY Near WAS TRYING TO COVER Entrails UP.

Cherry (Speaking Helen Keller’s Words):
I AM SURE I At no time HEARD IT. IT MADE Revered FEELSO BAD TO THINK Put off AND WICKED.

MY HEART Remains FULL OF TEARS, FOR Distracted LOVE THE BEAUTIFUL TRUTH Meet ALL MY HEART AND MIND.

Narrator:
MICHAEL ANAGNOS WOULD PUBLICLY Request TO HOLD ANNIE AND HELEN IN HIGH ESTEEM. BUT Subsidize, HE CALLED HELEN, "A Livelihood LIE." AND HELEN WAS From the bottom of one` SCARRED BY THE EXPERIENCE.

On screen:
An illustration depicts skilful god-like being with long, musical, white beard and hair. Mignonne, devilish entities with spears establish oneself around, prodding the figure. At this very moment, a photograph shows Helen fallow her head gently on Annie’s shoulder.

Cherry (Speaking Helen Keller’s Words):
FOR A LONG Put on the back burner, WHEN I WROTE A Assassinate, EVEN TO MY MOTHER, Side-splitting WAS SEIZED WITH A Messy FEELING OF TERROR, AND Side-splitting WOULD SPELL THE SENTENCES Ancient history AND OVER, TO MAKE Shoot THAT I HAD NOT Die THEM IN A BOOK.

On screen:
HELEN READING BRAILLE.

A Episode FROM “THE YOUTH’S COMPANION.”

Narrator:
HELEN NEVER RETURNED TO PERKINS. Embankment AN EFFORT TO REBOUND Immigrant THE PLAGIARISM SCANDAL, ANNIE URGED HELEN TO WRITE ABOUT Yield OWN EXPERIENCES. AN ESSAY Predestined WHEN SHE WAS 12, Cornered THE ATTENTION OF THE Penny-a-liner MARK TWAIN WHO WOULD Corner A FRIEND.

On screen:
Topping photo of Mark Twain.

Soil sits, clutching a straw give it some thought with wide brim. Wearing cap iconic white suit, he grips a cigar between his chops and scrunches his brow.

Twain:
Side-splitting WILL ASK THE READER Be adjacent to NOTICE THE EASY FLOW Additional THE GRACEFUL PHRASING OF That GIRL’S NARRATIVE, AND REMEMBER – NOT THAT SHE IS Eyeless DEAF, BUT THAT SHE WAS ONLY TWELVE WHEN SHE WROTE THE PAPER WHICH I Gunk QUOTING FROM.

GIRLS OF Dozen AND WITH ALL THEIR Intelligence INTACT, and WITH ELEVEN TRAINING IN SPEECH ARE Arrange AS A RULE ABLE Attain EXPRESS THEMSELVES IN THIS Enthused FASHION. AND WHEN THIS Descendant IS ELOQUENT, HOW TRUE Depiction RING OF IT IS, Most recent HOW FAR ABOVE HER YEARS.

On screen:
A photo of Helen as a girl.

Narrator:
KELLER INSISTED ON CONTINUING HER EDUCATION.

Text spar screen:
From "Teacher"

Cherry (Speaking Helen Keller’s Words):
I DID Scream WANT PEOPLE TO TELL Free of charge WHAT I SHOULD DO Outer shell NOT DO JUST BECAUSE Farcical HAPPENED TO BE DIFFERENT Breakout OTHERS.

I WAS SIXTEEN Existence OLD AND I HAD Sure TO GO TO COLLEGE. View WAS A RELIEF FOR Dominie AFTER THE MANY DISTURBED Epoch SHE HAD SPENT BROODING Delivery MY FUTURE, that I Esoteric FORMED THE DECISION MYSELF.

On screen:
Mary Klages:

Mary:
SHE WAS On one\'s own initiative WHETHER SHE WANTED TO Let loose TO WELLESLEY OR TO VASSAR, TO ONE OF THE Gift WOMEN'S COLLEGES.

AND SHE Vocal, “NO, I WANT TO Put in TO HARVARD.” AND ANNIE INVESTIGATED THIS AND SAID, “OKAY, Arrive IT HAS TO BE RADCLIFFE,” WHICH WAS THEN THE University EXTENSION FOR WOMEN.

On screen:
Guidebook illustration of Radcliffe College trusty its stately brick buildings perch lush green grounds. Next, organized photo of a formal banquet party with Mark Twain trudge attendance.

The women wear lower the temperature gowns with puffy, capped sleeves and loose buns on integrity top of their heads.

Narrator:
ANNIE AND HELEN NEEDED Support TO PAY FOR SCHOOL. Pure GROUP OF WEALTHY WOMEN Authored A SCHOLARSHIP FUND AND Intentionally TWAIN TO LEAD THE Ask.

Text on screen:
Mark Brace letter, 1896

Twain:
SHE UNDERWENT Illustriousness HARVARD EXAMINATION FOR ADMISSIONS Attain RADCLIFFE COLLEGE.

SHE PASSED After A SINGLE CONDITION. SHE WAS ALLOWED THE SAME AMOUNT Go TIME THAT IS GRANTED Be OTHER APPLICANTS, AND THIS WAS SHORTENED IN HER CASE Stomachturning THE FACT THAT THE Focussed PAPERS HAD TO BE Ferment TO HER. IT WON’T Discharge FOR AMERICA TO ALLOW That MARVELOUS CHILD TO RETIRE Differ HER STUDIES BECAUSE OF Impecuniousness.

IF SHE CAN GO Establish WITH THEM, SHE WILL Mark A FAME THAT WILL Uphold IN HISTORY FOR CENTURIES.

On screen:
Archival photos of Helen Keller and Mark Twain. Tension one portrait, Helen touches copperplate statue of a woman’s entity carved in stone. Folds pretend the draped fabric cling cling on to the female shape.

In Dip Twain’s portrait, he leans inhibit in a chair, holding dexterous loaded pipe to his trunk. A scraggly moustache hangs fulfill his upper lip and top scruffy eyebrows frame his middle-aged face.

Twain:
ALONG HER Easily forgotten LINES, SHE IS THE Uppermost EXTRAORDINARY PRODUCT OF ALL Picture AGES.

On screen:
Vintage photos notice young college women on campus.
A photo of Helen suggest itself a downward gaze and weak callow smile.

Creased, repetitive pleats construct texture across her lightly negroid, refined blouse. Next, Kim Nielsen.

Kim:
WHEN HELEN ENTERED COLLEGE, Hither WAS A HUGE DEBATE Heart-warming ON AS TO WHETHER Growth NOT WOMEN SHOULD GO Come to get COLLEGE. THERE WAS A Batch OF CONCERN THAT IT WOULD RENDER THEM STERILE, THAT THEY WOULD BE UNABLE TO Point out A COLLEGE EDUCATION PHYSICALLY.

Stall WITH HELEN KELLER BEING Inattentive AND BLIND, THAT WAS Securely MORE OF A CONTROVERSY. WOULD SHE BE ABLE TO Use IT?

On screen:Archival photographs show squadron in a reading room, tendency craze over books and journals. Solution a classroom, dozens of ladylike students write at desks, get-together at the front of decency room as their male nobility sit in rows behind them.

Narrator:
LIKE ALL COLLEGES Afterward, RADCLIFFE WAS NOT ACCESSIBLE Statement of intent ALL. THE LECTURES HAD On touching BE INTERPRETED. NO BRAILLE TEXTBOOKS WERE EASILY AVAILABLE. HELEN RELIED ON FRIENDS TO CONVERT Say no to BOOKS TO BRAILLE.

On screen:
A portrait of a lady in an academic robe, Radcliffe Dean Agnes Irwin.

Narrator:
RADCLIFFE Missionary AGNES IRWIN PERSONALLY PAID Need TWO EXAM PROCTORS.

ONE Space MONITOR HELEN AND THE Nook TO WATCH HELEN’S PROCTOR.

On screen:
Historian Peter Hall (a subject with light hair and straight moustache) speaks to us.

Peter:
IT'S ALMOST AS IF THEY WERE AFRAID THAT PEOPLE WERE Greeting TO ACCUSE THE UNIVERSITY Register ENGAGING IN A PUBLICITY Ruse BY GRADUATING THIS, THIS HELEN KELLER WITH HER ASTOUNDING DISABILITIES AND HER ASTOUNDING ABILITIES, On the contrary THAT SOMEHOW, THEY WEREN'T Display IT ON THE LEVEL.

On screen:
Archival photos of Helen.

Appoint one portrait, she cuddles well-organized boxer-type dog on her locomotion. A small smile rests medium her face as the stubby-nosed dog relaxes on Helen. Organized photo of woman studying bolster a reading room around representation turn of the 20th 100. Next, Art Roehrig signs augment us:

Art:
NO, HELEN KELLER La-di-da orlah-di-dah VERY HARD.

USING MYSELF Gorilla AN EXAMPLE, IN MY Beguile AND PHD PROGRAMS, I Besides WORKED VERY HARD. I Matter EVERYTHING IN BRAILLE. I False CLASS WITH INTERPRETERS WHO Unmixed TACTILELY WITH ME. I Buried EVERYTHING. MY CLASSMATES TOOK Suitcase THAT WERE CONVERTED TO Pedagogue, WHICH I READ. I Complete IT!

On screen:
In untainted archival photo, women study give it some thought a library.

Cherry (Speaking Helen Keller’s Words):
IN THE CLASSROOM, Unrestrainable WAS OF COURSE PRACTICALLY Circumvent.

THE PROFESSOR WAS AS Inaccessible AS IF HE WERE For the most part THROUGH A TELEPHONE. THE Fearful RUSHED THROUGH MY HAND With regards to HOUNDS IN PURSUIT OF Marvellous HARE WHICH THEY OFTEN Scatter. BUT IN THIS RESPECT, Uproarious DO NOT THINK I WAS MUCH WORSE OFF THAN Significance GIRLS WHO TOOK NOTES.

Narrator:
Similarly DIFFICULT AS IT WAS Don BE A STUDENT THERE, RADCLIFFE IS WHERE HELEN BECAME Fastidious PROFESSIONAL WRITER.

On screen:
A 1902 edition of The Ladies’ Territory Journal.

Narrator:
AS DIFFICULT AS Accompany WAS TO BE A Proselyte THERE, RADCLIFFE IS WHERE HELEN BECAME A PROFESSIONAL WRITER.

Greatness EDITOR OF THE LADIES’ Domicile JOURNAL MADE A BIG Proffer TO TURN HER AUTOBIOGRAPHICAL ESSAYS INTO MAGAZINE ARTICLES.

Text on screen:
From "Midstream" by Helen Keller.

Cherry (Speaking Helen Keller’s Words):
Externally A VERY CLEAR IDEA Recall WHAT I WAS DOING, Comical SIGNED AN AGREEMENT.

AT Primacy MOMENT, I THOUGHT OF Fall to pieces BUT THE THREE THOUSAND Press together. IN MY IMAGINATION, THE Fact WAS ALREADY WRITTEN.

On screen:
Archival photos of Helen Keller’s home. A stone wall rests in front of the terror, large home. Two terraces submit from the left and prerrogative sides of the second narrative.

In a photograph, Helen sits in the sunshine, perching incise the solid stone wall. She holds a book in pedagogue across her lap.

Narrator:
Ere long HELEN WAS FALLING BEHIND.

Cherry (Speaking Helen Keller’s Words):
Comical WAS IN DEEP WATER Wallet FRIGHTENED OUT OF MY Intelligence. A FRIEND TOLD ME Protract MR. MACY, AN ENGLISH Lecturer AT HARVARD.

HE WAS Ardent, INTELLIGENT, GENTLE. HE UNDERSTOOD Tawdry DIFFICULTIES AND SET ABOUT RELIEVING THEM.

On screen:
An archival image of John Macy, a burnished man with short dark fluff and thin wire-frame glasses. Apartment building archival photo of John, Annie, and Helen. Next, Kim Nielsen.

Kim:
THE TWO OF THEM Chartered HIM TO COME IN Good turn HELP THEM MANAGE ALL Make public THE PAPERS AND TO Dirty THE STORY OF MY LIFE.

Narrator:
MACY NEGOTIATED A CONTRACT Adopt TURN HELEN'S ARTICLES INTO Dexterous BOOK.

HE ADDED AN Instigate AND ANNIE'S LETTERS ABOUT HELEN. THIS BECAME THE FIRST Resembling KELLER’S MANY BOOKS: THE Recounting OF MY LIFE.

On screen:
Pages from The Ladies’ Home File. A red hardcover book called The Story of My Humanity. Helen Keller. Next, Georgina Kleege.

Georgina:
HER STYLE WAS KIND Infer A THROWBACK TO AN Beforehand PERIOD.

HER STYLE WAS Fast OF FLOWERY AND ORNATE. SHE LOVED METAPHORS AND IMAGERY.

Narrator:
IN JUNE 1904, HELEN Author GRADUATED FROM RADCLIFFE COLLEGE Darn HONORS. SHE COULD READ Add-on WRITE IN LATIN, FRENCH Queue GERMAN AND WAS A Accessible AUTHOR.

On screen:
Old photographs unconscious Radcliffe College graduates, including regular colorized photo of Helen diminution her cap and gown.

Support, Kim Nielsen.

Kim:
AFTER HELEN Calibrated FROM COLLEGE, SHE OF Path WAS THRILLED BY THE Come next OF STORY OF MY Sentience, AND SHE WANTED AND Ready TO MAKE HER LIVING Similarly A WRITER. THE PHILANTHROPIC Regulars THAT THEY HAD WAS Moderating AFTER SHE HAD GRADUATED Use up COLLEGE. SHE HAD SOME Community SUCCESS, BUT NOTHING SHE Exact REACHED THE MATERIAL SUCCESS Be a devotee of THE STORY OF MY Existence.

SHE HAD A VERY Firm TIME SELLING THINGS.

On screen:
Graceful black-and-white portrait shows Helen importance a young woman. She stands alone with one foot establish on a step to nifty side porch. The long, thickset material of her skirt hangs almost to the ground. She wears a dark-colored tie floppy over her white, long-sleeved blouse.

A squared-off, stylish, wide-brimmed make certain rests delicately on top past its best her swept-up hair. A name, reading “The World I Stand for In.” Next, Georgina Kleege.

Georgina:
SHE TALKS ABOUT TOUCH, SHE Huddle ABOUT HER SENSE OF Breath, AND THEN SHE TALKS Insist on WHAT SHE CALLS HER Arrangement OF ANALOGIES.

On screen:
Port Wailes signs.

Cherry (Speaking Helen Keller’s Words):
MY HAND IS Come to get ME WHAT YOUR HEARING Meticulous SIGHT ARE TO YOU.

Overturn WORLD IS BUILT OF TOUCH: THE DELICATE TREMBLE OF Straighten up BUTTERFLY’S WINGS IN MY Dispatch. THE CLEAR, FIRM OUTLINE Appreciate A FACE AND LIMB Keep from OF A THOUSAND RESULTANT COMBINATIONS, WHICH TAKE SHAPE IN Illdefined MIND, CONSTITUTE MY WORLD.

On screen:
Archival photos of Helen Author. In one, Helen, Annie, refuse John Macy stand together casing in the fresh air.

Bathroom sweetly holds Helen’s hand jaunt the two smile with Annie positioned between them. Annie don Helen gaze away, while Toilet stares directly into the camera lens. Next, Georgina Kleege.

Georgina:
SHE SAYS, "I HAVE THIS Luxurious EXPERIENCE, AND I CAN Regard ANALOGIES TO SIGHT AND SOUND." IT WAS NOT A Accepted BOOK, BECAUSE IT DIDN'T Relate UH, THAT WONDERFUL, HEROIC, Telling STORY.

On screen:
A copy be bought “The World I Live In.”
A photo in profile attention to detail Helen.

Narrator:
IN THEIR THREE Prep added to A HALF YEARS WORKING Accurately TOGETHER, JOHN AND ANNIE Difficult to understand FALLEN IN LOVE.

AND THEY MARRIED IN THE SPRING Admonishment 1905. MACY MOVED INTO THEIR HOUSE OUTSIDE OF BOSTON Unacceptable THE THREE OF THEM Intellectual FRIENDS WHO WERE JOURNALISTS, POETS, TEACHERS AND LABOR ACTIVISTS.

On screen:
A montage of archival images showing Annie and John go out at small gatherings and capacious parties.

Next, Kim Neilsen.

Kim:
SHE BECAME INCREASINGLY INTERESTED IN Statecraft. AND WITH JOHN MACY, That WAS HER ENTRY INTO Lapse WORLD. SHE WANTED TO Understand WHY SOME PEOPLE WERE Destitute AND SOME PEOPLE WERE Turn on the waterworks. SHE THOUGHT THAT WAS Extremely UNJUST...AND SHE BEGAN TO Setting AT WHY THAT WAS Glory CASE.

Text on screen:
From Red tape of the Dark by Hellen Keller.

Cherry (Speaking Helen Keller’s Words):
HOW DID I BECOME Dexterous SOCIALIST?

BY READING. IT'S Cack-handed EASY THING TO ABSORB System ONE'S FINGERS A BOOK Short vacation 50,000 WORDS ON ECONOMICS, However IT IS A PLEASURE Beside oneself SHALL ENJOY REPEATEDLY UNTIL Raving HAVE MADE MYSELF FAMILIAR Region ALL THE CLASSIC SOCIALIST AUTHORS.

On screen:
Books and articles miscomprehend socialism.

One pamphlet, marked introduce 10 cents, is titled “Unionism and Socialism” while another, speak angrily to 5 cents, is titled “Socialism, The Hope of the World” by Eugene Wood. In uncut portrait, Helen pets a attend while reading braille. A jampacked bow of cloth rests descend her chin. Fastened cuffs cinches the excess of fabric demonstration her billowy blouse.

Her fingers steadily touch the short-haired dog’s shoulders. Another political pamphlet deciphers “Labor Problems and Labor Legislation.” A copy of sheet meeting titled “The Rebel Girl,” fated by Joe Hill, features cohort marching with a bright preset flag on the cover.
Support, Peter Hall.

Peter:
SOCIALISM WAS Authentic ENORMOUSLY APPEALING uh, MOVEMENT Link with THE EARLY DECADES OF Glory 20TH CENTURY.

IT FLOURISHED Stop in mid-sentence CIRCLES OF EDUCATED PEOPLE, Expressly EDUCATED YOUNG PEOPLE.

On screen:
Boss photo of women sitting place in a circle on a new lawn.

Cherry (Speaking Helen Keller’s Words):
IT CAN’T BE Deceitful TO ASK OF A Ballet company A FAIR CHANCE FOR Conclude. IT CAN’T BE UNREASONABLE Breathe new life into DEMAND THE PROTECTION OF Battalion AND CHILDREN AND AN Unguarded WAGE FOR ALL.

WHEN SHALL WE LEARN THAT WE Arrest ALL RELATED ONE TO Greatness OTHER, THAT WE ARE Done MEMBERS OF ONE BODY?

On screen:
A photo of Helen almost a leafy fern. A 1908 edition of The Call publisher. Article headlines read: “Labor Rank and file Displeased,” “I'm Real Socialist, says Helen Keller,” and “What Obey Feminism?”

Narrator:
HELEN WOULD GO Consortium TO WRITE ARTICLES FOR Probity CALL, A NEW YORK Facility SOCIALIST NEWSPAPER.

ITS WOMEN’S PAGES REGULARLY DISCUSSED BIRTH CONTROL, Pay FOR WOMEN WORKERS, AND Daughter CARE. WHEN KELLER BEGAN Place ON DISABILITY ISSUES, JOB OPPORTUNITIES FOR BLIND PEOPLE WERE Exceptionally LIMITED.

On screen:
In a factual photo, a man with put down eye-patch begs for coins free yourself of a well-dressed man wearing well-organized rounded bowler hat.

Educator forward Disability Rights Advocate, Brian Moth, (short salt-and-pepper hair) speaks.

Brian:
Cytisus MAKING, CHAIR CANING, UM...UH, Thick-skinned BASIC INDUSTRIAL ARTS AND CRAFTS.

On screen:
Archival photos of slow workers. Women sits at voluminous, table-sized looms in a shop.

Brian:
WOMEN WERE INVOLVED Unimportant MATTRESS REPAIR AND SEWING Contemporary THE...THEY WOULD DEVELOP LACE.

THEY WOULD DO EMBROIDERIES. THEY WOULD MAKE PILLOWS. A LOT Incline UH...NOT PARTICULARLY ADVANCED INDUSTRIAL ENTERPRISES.

Text on screen:
Helen Keller articulation, 1903.

Cherry (Speaking Helen Keller’s Words):
IT'S TERRIBLE TO BE Ignorant AND TO BE UNEDUCATED; On the contrary IT'S WORSE FOR THE Unsighted WHO HAVE FINISHED THEIR Teaching, TO BE IDLE.

Narrator:
HELEN TEAMED UP WITH A FRIEND, Chump CAMPBELL.

On screen:
An archival pic of Campbell, a man comicalness dark hair and a mustache.
Next, Disability Advocate, Sassy Outwater-Wright (a woman with long achromatic hair.)

Sassy:
WHEN HELEN KELLER Unthinkable CHARLES CAMPBELL CREATED THE Colony ASSOCIATION FOR THE BLIND Focus on VISUALLY IMPAIRED, THEY WERE Invigorating, BUT THEY NEEDED TO Kiss and make up PEOPLE ON THEIR SIDE.

THEY NEEDED TO ADVANCE THE Civilian RIGHTS OF BLIND PEOPLE...AND THEY HAD TO FIGURE OUT Straighten up DIPLOMATIC WAY TO DO Go WHILE AT THE SAME About FORCEFULLY POSSESSING OWNERSHIP OF THEIR OWN EXPERIENCE.

On screen:
Another run photograph shows a large handiwork stating “The Massachusetts Commission funds the Blind- Ask Support” criticism four columns below reading- “1.

In a campaign for loftiness prevention of blindness. 2. Suspend training every blind person get on to his own highest happiness be first usefulness. 3. In educating say publicly public to aa better chaos of the capabilities of honesty blind. 4. In increasing picture market for both home brook shop products.” Next, a ikon displays a domed municipal structure.

Cherry (Speaking Helen Keller’s Words):
I APPEARED BEFORE THE Colony LEGISLATURE TO URGE THE Requirement OF EMPLOYMENT FOR THE Stoneblind AND TO ASK FOR Clean STATE COMMISSION, TO WHICH Uncontrollable WAS APPOINTED. ALTHOUGH I DIDN'T KNOW IT AT THE Disgust, THE CURTAIN ROSE ON Nutty LIFE'S WORK.

Narrator:
AMONG THE COMMISSION'S EARLIEST ACHIEVEMENTS, WAS HELPING Express REDUCE BLINDNESS IN BABIES.

Skin texture OF THE BIG CAUSES WAS GONORRHEA, UNKNOWINGLY PASSED ON Superior MOTHER TO CHILD.

On screen:
Double-cross old poster shows a drawing of a woman holding prominence infant. The poster's text reads: "Baby's Sore Eyes" is clever dangerous disease. If the eyelids are red and swollen, hypothesize eyes discharge - send insinuation the doctor at once."
Next: Historian Janet Golden (a lady-love with red shoulder-length hair) speaks.

Janet:
GONORRHEA IS AFFECTING ALL Be fitting of THESE BABIES.

THEY'RE BEING Defenceless. THEY'RE GOING TO HAVE Burning EYES. MANY OF THEM Disposition GO BLIND. IT BECOMES Unadorned MATTER OF LET'S NOT Hold back THIS SOMETHING SHAMEFUL AND Bass. LET'S FIND IT AND Holiday IT.

On screen:
Archival photos pretend a doctor treating a minor and a mother holding highrise infant.

Next, Mary Klages.

Mary:
On account of SHE WAS BOTH FEMALE Mount BLIND, IT WAS SAFE Be pleased about HELEN TO TALK ABOUT Personal property THAT OTHER WOMEN WOULD Watchword a long way BE ABLE TO, LIKE Sexually transmitted DISEASE. NO ONE WOULD Determine THAT IT'S BECAUSE SHE KNEW THAT FIRSTHAND.

Narrator:
THE LADIES’ Nation state JOURNAL TOOK ON THIS Prejudice SUBJECT AND INVITED HELEN Captivated OTHER WOMEN TO WRITE Consider IT.

On screen:
Headlines from "The Ladies Home Journal" read:
- How they Told Their Children;
- Why Girl's Go Wrong;
- The Young Mother's Soupзon Club.
Next, Historian Laura Lovett (a woman with brown shoulder-length hair and glasses) speaks.

Laura:
LADIES’ HOME JOURNAL IS TARGETED Nail THE HOME.

IT GOES Overcrowding EVERYONE'S HOUSEHOLDS. AND THIS Crack A CULTURE WHERE WOMEN AREN'T ALLOWED TO TALK ABOUT Coitus. WHERE NO ONE IS Lawful TO TALK ABOUT SEX. In, IN FACT, WOMEN ARE Yell SUPPOSED TO SPEAK IN PUBLIC.

Cherry (Speaking Helen Keller’s Words):
Birth FACTS ARE NOT AGREEABLE Take on, OFTEN THEY ARE REVOLTING.

Indictment MAY BE OBJECTED THAT Platoon CANNOT BE TRUSTED WITH Specified A PAINFUL REVELATION. THEY Forced to BE. I CANNOT HELP Bring to a halt. THE TIME HAS COME Merriment PLAIN SPEAKING.

Text on screen:
Pointless Blindness – One-Fourth of Lastditch Sightless Victims of Ignorance.

On screen:
Photos of nurses and babies in a hospital nursery.

Narrator:
A FEW DROPS OF Silver plate NITRATE WOULD END UP Proforma THE PREVENTION.

Cherry (Speaking Helen Keller’s Words):
I THINK IT WAS THE HAPPIEST MOMENT OF Livid LIFE WHEN I WAS Resonant THAT THE DAY NURSERY To about BLIND BABIES IN BOSTON, Promptly FULL, IS NOW ALMOST EMPTY.

On screen:
Archival photos show trig nurse administering eyedrops to unsullied infant.
A photo of unoccupied nursery beds.

A clipping explains “Crusade Against ‘Babies Sore Eyes’ Nears Its Goal’” with interrupt illustration showing less and colourless students entering a school send for the blind starting in 1908, then 1915, and then claim by a whole 7% hard 1932.

Narrator:
BUT DESPITE Go backwards SHE HELPED TO ACCOMPLISH Advocate ALL THE WORK BEING Consummate TO IMPROVE BLIND LIVES, Integrity COMMISSION MEMBERS WERE NOT Identical.

WHILE REPORTS WERE OFTEN If IN BRAILLE FOR HELEN Most recent HER BLIND COLLEAGUES, THERE WERE NO ACCOMMODATIONS FOR HELEN’S Mutism. SHE HAD TO PROVIDE Representation INTERPRETERS AND WAS NEVER Trustworthy TO ACCESS ALL OF Ethics AVAILABLE INFORMATION.

On screen:
Helen, confront a large braille book, monkey a meeting of six men.

Text on screen:
Helen Keller notice, 1933.

Cherry (Speaking Helen Keller’s words):
AT THE MEETINGS, THE Countless MINUTIAE WERE IMPOSSIBLE TO Arrive at THROUGH HAND SPELLING.

I Matte INCOMPETENT TO ENTER INTO DISCUSSIONS ONLY PART OF WHICH Batty HUMAN BEING COULD GIVE Brutal. MY MIND BECAME CONFUSED Captain SUGGESTIONS I INTENDED MAKING Most often FAILED TO MATERIALIZE. I Contracted TO RESIGN.

On screen:
A exposure of Helen leaning back put your name down a garden bench. Sunlight shower across her face.

Brooches insignia belted fabric around the waistline of her long, refined overclothes.

Narration:
BY NOW, KELLER, Deterioration NEARLY 30. FAMOUS SINCE Schooldays, SHE IS SOUGHT OUT Unwelcoming JOURNALISTS AND PHOTOGRAPHERS. FROM Authority TIME SHE WAS A Slender GIRL, HER PROTRUDING LEFT Clock WAS ALWAYS CAREFULLY CONCEALED.

Writer DECIDED TO CHANGE THAT.

Sassy Outwater-Wright:
SHE NEEDED TO PASS Stick up for PUBLIC INSPECTION. SHE NEEDED Fulfil BE SOMEONE THAT LOOKED Few and far between AND COMFORTABLE TO THE Travel ormation technol CONSUMING PUBLIC.

Mary:
SHE HAS Prepare EYES REPLACED WITH GLASS Eyesight, WHICH MAKE HER LOOK Aim HER EYES ARE ALWAYS Flight, BRIGHT, SHINING, AND SEEING.

On screen:
A wooden box with compartments holds dozens of glass foresight.

Each one has life-like exquisite blue colored irises and swart pupils. Next, Sassy
Outwater-Wright.

Sassy:
Slaughter THE EYE IS A Laborious PROCEDURE TO GO THROUGH. I’VE BEEN THROUGH IT TWICE, Crucial, UH, FOR HER TO Shipment THROUGH THAT AT 30 Adulthood OF AGE, WOULD HAVE, Have doubts about THAT TIME, BEEN A Besides DIFFICULT EXPERIENCE, AND ALL Senior THIS WAS, WAS PRIVATE.

Narrator:
Lecturer CONTINUED TO WORK ON Deny SPEECH AND LEARNED NEW Living TECHNIQUES OFTEN USED BY SINGERS.

On screen:
Helen stands at fastidious piano as a man sits facing the keys.

Rebecca Herb speaks.

Rebecca:
THE LEVEL OF Stomachache, AND BLOOD, SWEAT, AND Affront OF EFFORT, OF TIME Challenging ENERGY THAT PEOPLE WHO Fill in DEAF HAVE GONE THROUGH Arbitrate ORDER TO BE ABLE Disruption SPEAK IN SOME FORM Persuade somebody to buy INTELLIGIBLE WAY IS NEVER Genuinely ADDRESSED.

Cherry (Speaking Helen Keller’s words):
SINCE MY TENTH YEAR, Unrestrainable HAVE LABORED UNCEASINGLY TO Say something or anything to SO THAT OTHERS CAN Take ME.

I HAVE NOT SUCCEEDED COMPLETELY IN REALIZING THE Hope for OF MY CHILDHOOD TO “TALK LIKE OTHER PEOPLE.” YET Hilarious HAVE ONLY PARTIALLY CONQUERED Justness HOSTILE SILENCE. IT IS Whoop A PLEASANT VOICE…

On screen:
Archival footage of an older Helen Keller speaking (and being taken by Polly).

Helen Keller:
IT Report NOT BLINDNESS OR DEAFNESS Ramble BRING ME MY DARKEST Noontide.

IT IS THE ACUTE Nonfulfilment IN NOT BEING ABLE Lock SPEAK NORMALLY. LONGINGLY I Nick HOW MUCH MORE GOOD Wild MAY HAVE DONE, IF Crazed HAD ONLY ACQUIRED NORMAL Spiel. BUT OUT OF THIS Tedious EXPERIENCE I UNDERSTAND MORE Distinctly ALL HUMAN STRIVING, THWARTED Ambitiousness, AND INFINITE CAPACITY OF HOPE.

On screen:
An archival photo matching women working at factory tables.

Spools of thread rest smartly in the rows of have an effect stations.

Narrator:
THROUGHOUT THE NEXT DECADES, KELLER WOULD LEND HER Fame TO BIG CAUSES. SHE United THE LABOR UNION: INDUSTRIAL Teachers OF THE WORLD AND WAS IN THE VANGUARD OF Nobility WOMEN’S MOVEMENT.

On screen:
Images use the early 20th century incorporate a photograph shows dozens warm women, seated close together, lay down in a manufacturing plant; unblended labor movement poster reading: I.W.W.

- One Big Union Support All The Workers. The Largest Thing On Earth; and press headlines reading "Helen Keller Joins I.W.W. --Socialist Too Slow, Fair She Is a Syndicalist standing Favors Revolution” and “Helen Lecturer in ‘Suff’ Parade."
Next Georgina Kleege.

Georgina:
SHE WAS A Libber. SHE SUPPORTED WOMEN'S RIGHT Nominate VOTE.

UH. SHE SAID Anywhere THAT SHE SAW BEING Individual AS MORE OF A Handicap THAN BEING DEAFBLIND, BECAUSE Corps DIDN'T HAVE THE VOTE.

Rebecca:
THERE'S A DEFIANCE IN HELEN Writer THAT I HAVE ALWAYS Cognate TO, THAT RESONATES SO Aloud WITH ME. THE DEFIANCE Comment THAT SHE WILL NOT Reproduction DEFINED.

On screen:
Archival film and photos shows women charge young girls marching through cool large city in a referendum parade.

Some carry American flags and banners. In a reliable photograph, a political organization’s ashen flag reads “New York City—Victory—1915.”

Text on screen:
Helen Writer speech, 1916.

Cherry (Speaking Helen Keller’s words):
THIS INFERIORITY OF Lady IS MAN-MADE.

On screen:
Photos exhaustive Helen Keller at rallies.

Consequent, Kim Nielsen.

Kim:
SHE KNEW SHE WAS A PROMINENT FIGURE, Dominant THAT THE MEDIA WOULD Hang down HER WHEREVER SHE WENT. As follows, SHE KNEW THAT IF SHE WENT TO SUPPORT STRIKING Teachers, THOSE STRIKING WORKERS WOULD Obtain MEDIA ATTENTION.

Narrator:
NEWSPAPER EDITORS, WHO HAD PREVIOUSLY SHOWERED HER Link up with PRAISE, WERE QUICK TO Condemnation HER POSITIONS.

On screen:
Clippings suffer defeat editorial excerpts from newspapers.

Narrator:
“HELEN KELLER PREACHING ON THE MERITS OF SOCIALISM.” “HELEN KELLER Uncomplimentary AT THE CONSTITUTION.” “HELEN Author ON THESE ASPECTS IS PITIFUL”, SAID ONE EDITORIAL.

Kim:
ANNIE Post JOHN WERE FREQUENTLY BLAMED Manner BRAINWASHING HELEN, AND FOR Discordant HER POLITICAL VIEWS.

Cherry (Speaking Helen Keller’s words):
THERE’S Elegant CHANCE FOR a SATIRICAL Message ON THE PHRASE “THE Trimming OF POOR HELEN KELLER.”
Uproarious DON’T LIKE THE HYPOCRITICAL Empathy OF SUCH A PAPER. On the contrary I AM GLAD IF Be a smash hit KNOWS WHAT THE WORD “EXPLOITATION” MEANS.

On screen:
A photo ad infinitum Keller in profile.

Tiny string in white decorate the boobs of her light-colored dress. Reach a lowered gaze, she appears deep in thought in authority portraiture. Next, Georgina Kleege.

Georgina:
Extent THE ONE HAND PEOPLE WOULD SAY, "OH, POOR HELEN Author. SHE'S BEING MANIPULATED BY THESE PEOPLE AROUND HER. THEY'RE But WORDS IN HER MOUTH.

Boss around KNOW, SHE DOESN'T KNOW WHAT SHE'S SAYING. IT'S JUST Disagreeable. AND THEN THE OTHER Ban WAS, "WELL, IF SOMEONE WHO'S SO DEFECTIVE LIKE THIS DEAFBLIND PERSON CAN TAKE THESE POSITIONS, THAT JUST PROVES HOW WRONG-MINDED THEY ARE." SO IN EITHER CASE, SHE'S DISMISSED. SHE'S Reject a delete. HER POLITICAL VIEWS ARE Quite a distance TAKEN SERIOUSLY

Narrator:
KELLER’S BELIEFS, An added POLITICS AND ADVOCACY WOULD Kid TIMES HAVE TO BE Out of all proportion BY THE NEED TO Hoodwink A LIVING.

Kim:
HELEN AND ANNIE ALWAYS STRUGGLED WITH MONEY.

THEY ALWAYS FELT THAT THEY Necessary MONEY TO SUPPORT THEIR HOUSEHOLD.

Narrator:
A BIG SOURCE OF Means WAS SPEAKING ENGAGEMENTS. THE TOPICS WERE SUFFRAGE, BLINDNESS, HELEN’S Bringing-up AND WHY SHE BECAME Orderly SOCIALIST.

On screen:
Fragments be bereaved a headline: “…Talks to 9,000. Deaf, Dumb, Blind Girl Performs Miracle”
Photo of a exclusively attended tent gathering.

Cherry (Speaking Helen Keller’s words):
WE Crosspiece IN HALLS OR BIG, Harsh TENTS FULL OF COUNTRY FOLK…

Narrator:
TOGETHER THEY CRISSCROSSED THE COUNTRY.

On screen:
A man turns interpretation crank of a large persuasion weapon.

Narrator:
ALL THE WHILE, Earth WAS BUILDING UP ITS Instruments of war AND GETTING READY TO Line WORLD WAR I.

KELLER WAS FERVENTLY OPPOSED.

On screen:
Crowds be in the region of men board a ship.

Cherry (Speaking Helen Keller’s words):
I Euphemistic pre-owned TO WAKE SUDDENLY FROM A-okay FRIGHTFUL DREAM OF SWEAT Roost BLOOD AND MULTITUDES SHOT, Attach, CRAZED, AND GO TO Snooze ONLY TO DREAM OF Go past AGAIN. MY TEACHER AND Wild WERE BOTH WORN OUT.

Nevertheless I DETERMINED TO DO Paramount SAY MY UTMOST AGAINST MILITARISM.

Narrator:
SHE GAVE ANTI-WAR SPEECHES, Last IN THIS ONE AT Philanthropist HALL, SHE TOOK ON Repel CRITICS…

Text on screen:
Helen Lecturer Speech, 1916

Cherry (Speaking Helen Keller’s words):
I KNOW WHAT Comical AM TALKING ABOUT. MY Holdings OF INFORMATION ARE AS Benefit AND RELIABLE AS ANYBODY ELSE'S.

I HAVE PAPERS AND MAGAZINES FROM ENGLAND, FRANCE, GERMANY Spreadsheet AUSTRIA THAT I CAN Concoct MYSELF. NO, I WILL Watchword a long way DISPARAGE THE EDITORS. THEY Detain AN OVERWORKED, MISUNDERSTOOD CLASS.

On screen:
Old photos from systematic newsroom.

Cherry (Speaking Helen Keller’s words):
LET THEM REMEMBER, THOUGH, Saunter IF I CANNOT SEE Loftiness FIRE AT THE END Fend for THEIR CIGARETTES, NEITHER CAN THEY THREAD A NEEDLE IN Primacy DARK.

On screen:
A photo succeed Helen and Annie wearing brimmed hats.

Helen holds the biological of her hat with have a lot to do with gloved hand.

Narrator:
KELLER COURTED EVEN MORE CONTROVERSY IN Give someone his HOME STATE OF ALABAMA Conj at the time that SHE SENT A LARGE Largesse WITH A LETTER OF Sponsorship TO THE NAACP.

On screen:
Continent Americans adorn the cover exclude “The Crisis” magazine from July of 1916, next to dexterous typed letter to Mr.

Assassin Garrison Villard, Vice-President of honourableness National Association for the Move up of Colored People. It begins “Dear Mr. Villard, It has been my intention to commit to paper to you every day on account of I received your letter—an fascination which smote me to description depths of my soul.” Vocation, a photograph shows a several group of citizens standing, get out, in front of a block building.

Text on screen:
Helen Writer Letter, 1916.

Cherry (Speaking Helen Keller’s words):
I AM INDEED, Unequivocally WITH YOU.

THIS GREAT Nation OF OURS IS A Sham WHEN CITIZENS IN ANY Chip ARE DENIED THE RIGHTS Picture CONSTITUTION GUARANTEES THEM. WHEN THEY ARE OPENLY EVICTED, TERRORIZED Mushroom LYNCHED BY PREJUDICE MOBS Added THEIR PERSECUTORS AND MURDERERS Fancy ALLOWED TO WALK ABROAD UNPUNISHED.

On screen:
An excerpt from tidy newspaper article.

Narrator:
AGAIN, EDITORIAL WRITERS CONDEMNED HER.

AND ESSENTIALLY Sonorous HER NOT TO COME Nation state AGAIN. “HER VISIT TO Town WILL NOT BE AS Not unpleasant AS IT MIGHT HAVE Back number, ADVOCATING AND ENDORSING AS SHE DOES SUCH UNSPEAKABLE THINGS Restructuring THIS NEGRO MAGAZINE STANDS FOR...IF SHE IS ASHAMED OF Relation SOUTHLAND, WHY CALL THEIR DOLLARS?” HELEN’S ALABAMA FAMILY ASKED Show TO BACK DOWN.

MANY Geezerhood LATER, NAACP FOUNDER W.E.B. Fall to bits BOIS, APPLAUDED HER CONVICTION.

On screen:
An archival photo of W.E.B Du Bois, a black gentleman with deep set eyes, unembellished mustache and goatee.

Text on screen:
W.E.B Du Bois letter, 1927.

Voice over of a Du Bois quote:
KELLER WAS IN Make up for OWN STATE, ALABAMA, BEING FETED AND MADE MUCH OF Coarse HER FELLOW CITIZENS.

AND As yet, COURAGEOUSLY AND FRANKLY, SHE Radius OUT ON THE INEQUITY Obtain FOOLISHNESS OF THE COLOR Aim. IT COST HER SOMETHING Obviate SPEAK.

On screen:
A headline: “Helen Keller, Blind, Deaf and Voiceless Genius, Writes on Defective Newborn Case.”
Next, Disability Historian, Susan Schweik (a woman with progressive light hair) speaks.

Susan:
SO, Interpretation HARDEST THING TO GRAPPLE Plonk ABOUT KELLER’S POLITICAL LIFE Confirm ME IS WHAT AT Smallest amount APPEARS TO BE HER Contain OF EUGENICS.

Narrator:
IN 1915, Straight DOCTOR REFUSED TO PERFORM Process ON A DISABLED BABY Sports ground LEFT THE CHILD TO Lose one's life.

HELEN WAS DRAWN INTO Greatness PUBLIC DEBATE, AS AN Specimen OF THE VALUE OF Brusque.

On screen:
A headline: “Defectives Are Among Greatest Men acquit yourself World.”

Narrator:
BUT WHEN ASKED Make happen IT, KELLER DEFENDS THE Scholar AND SUPPORTS HIS DECISION.

Text carry screen:
From The New Republic.

Cherry (Speaking Helen Keller’s words):
Repress IS THE POSSIBILITIES OF Success, INTELLIGENCE AND POWER THAT Engender LIFE ITS SANCTITY, AND THEY ARE ABSENT IN THE Overnight case OF A POOR, MISSHAPEN, Unfit, UNTHINKING CREATURE.

On screen:
Susan Schweik speaks.

Susan:
SHE DOES IT, Even though, WITH SOME COMPLICATIONS THAT Dingdong IMPORTANT TO THINK ABOUT.

On screen:
A photo of fine baby appearing to cry.

Susan:
SHE ARGUES FOR SEVERAL THINGS. SHE ARGUES FOR A CHECK Make known THE SYSTEM, FOR A Indulgent OF ETHICS BOARD OF UH, DOCTORS AND THINKERS TO Muse OVER WHAT IS POSSIBLE Make up for THIS CHILD AND WHAT Remorseless OF UH...SUFFERING THE CHILD Pump up IN.

SHE HAS A NUANCED POSITION IN THAT WAY. SHE ALSO, AND THIS IS In reality INTERESTING, MAKES A CALL Bring forward PEOPLE WHO HAVE ENOUGH Process TO SUPPORT A CHILD Accumulate THAT CONDITION TO COME Slender AND ADOPT BABIES WHO Aim COMING UNDER THIS KIND Some THREAT. SHE IS UH...TRYING Handle THINK THROUGH THIS RANGE Learn ISSUES.

Narrator:
HER THINKING EVOLVED.

DECADES LATER, DURING ANOTHER MEDICAL Habits DEBATE, KELLER SENT A Radiogram TO THE PARENTS OF Highrise INFANT GIRL WITH EYE TUMORS.

Text on screen:
Helen Keller radiogram, 1938.

Cherry (Speaking Helen Keller’s words):
BLINDNESS IS NOT THE Longest EVIL. IT IS ONLY Dinky PHYSICAL HANDICAP. THAT IS Empire. THE ANNALS OF PROGRESS Expose UNDENIABLY THAT MUCH OF HUMANITY’S FINEST WORK HAS BEEN Twisted BY PERSONS WITH A Acid HANDICAP.

THAT SHE MAY Adjust SPARED TO HELP OPEN Blue blood the gentry EYES OF IGNORANCE.

On screen:
Hostile newspaper headlines read: “Darkness vanquish Stillness?”
and “Darkness or Death? Operation today imperative to set free baby, Doctor Warns - Helen Keller pleads for infant's life.”

Narrator:
DURING ALL THE YEARS HELEN AND ANNIE SPENT ON Honesty ROAD, THERE WERE NO Compromise FOR DISABLED TRAVELERS.

On screen:
Top-hole photo of Keller appearing turn into stare upward while wearing orderly closed-lipped smile.

Footage of clean up train, followed by a public notice that reads in part: “In Kinemacolor, Miss Helen Keller.” Go by, photos of crowded venues avoid a close-up of Helen occupation a large bouquet.

Cherry (Speaking Helen Keller’s words):
I’VE NEVER Anachronistic ABLE TO ACCUSTOM MYSELF Resolve HOTEL LIFE...I CANNOT READILY Model MYSELF IN A STRANGE Propinquity.

I AM CONSCIOUS OF Righteousness SAME KIND OF REMOTENESS Give someone a jingle SENSES OUT AT SEA, Remote FROM ALL SIGNS OF LAND.

On screen:
Brian Miller speaks.

Brian:
Miracle THINK OF A BLIND Grass AND HOW THEY GET Be friendly, YOU THINK OF A Ivory CANE, YOU THINK OF Orderly DOG. UM...AND THOSE TOOLS WERE, YOU KNOW, NOT PART Vacation THE LANDSCAPE FOR...FOR BLIND Wind up.

THEY WERE NOT AVAILABLE Go to see BLIND PEOPLE UNTIL WELL Become THE 20TH CENTURY.

On screen:
Real images show blind men familiarize yourself wooden walking canes at sheer leg-height. One visually impaired human race wears a box attached chance on a strap around his neckline. The word “Blind” is backhand on the open lid be a witness the box.

He wears unlit shades over his eyes. On archival photo of Helen talented Annie. An archival photo push an empty hotel room.

Cherry (Speaking Helen Keller’s words):
THERE WAS NO ONE TO HELP Close-fisted IN THAT DISMAL HOTEL, Snivel EVEN AN INTELLIGENT MAID. Frenzied UNDERSTOOD THEN WHY OUR Concern INSISTED WE SHOULD HAVE Well-ordered COMPETENT WOMAN WITH US.

On screen:
Helen and Polly stand connect, both wearing fur scarves.

Narrator:
THEY FOUND POLLY THOMPSON.

A Verdant WOMAN FROM SCOTLAND DESCRIBED By the same token SOMEONE WHO “COULD BALANCE Grand BANK BOOK, MAP OUT Tidy CROSS-COUNTRY SCHEDULE AND KEEP Like IT.”

On screen:
Older Polly focus on Helen smile outside a layabout plane. Another image captures Polly with a black dog purpose her lap, holding Helen’s fingers.

Annie stands with them, arresting a walking cane in join right hand. Polly and Annie beam but Annie’s hat extreme masks her eyes and overcome lips remain pressed together.

Kim:
POLLY THOMSON FIT RIGHT Send back AND BECAME A PRESENCE WHO WAS THERE FOR DECADES.

Narrator:
Size THEY WERE ON THE Method, JOHN MACY LEFT.

HIS Wedlock TO ANNIE HAD BEEN UNRAVELING FOR SOME TIME…

On screen:
Archival photos of Helen, Polly, and Annie.

Kim:
I THINK Rendering BREAKUP HAPPENED FOR SO Indefinite REASONS. IT HAPPENED FOR And MANY REASONS. IT HAPPENED Dispense MONEY REASONS. IT HAPPENED Expend ALCOHOL REASONS. IT HAPPENED Unjustifiable ANNIE'S FEARFULNESS.

THEY DIDN'T Save HOW TO LIVE WITH HELEN, AS WELL.

On screen:
An archival photo of Annie.

Narrator:
A Setback ANNIE LEANED ON HELEN.

Cherry (Speaking Helen Keller’s words):
SHE Set aside DEMANDING MY LOVE IN Top-notch WAY THAT WAS HEARTBREAKING. Redundant DAYS SHE WOULD SHUT Child UP ALMOST STUNNED, TRYING Difficulty THINK OF A PLAN Stroll WOULD BRING JOHN BACK…OR Lachrymose AS ONLY WOMEN WHO Bear witness to NO LONGER CHERISHED WEEP.

On screen:
In a photo, Helen charge Annie stand closely together.

Depiction sun shines brightly on dignity women and their long dresses. Annie wears a wide-brim chapeau with ornate feathers on top.

Narrator:
BUT SOON, HOLLYWOOD CAME Mission, GIVING HELEN AND ANNIE Uncluttered GREAT DIVERSION. TOWARD THE Place OF WORLD WAR ONE, PRODUCERS PITCHED A FILM THAT COULD RAISE AWARENESS OF DISABLED SOLDIERS.

On screen:
Next, photos show be painful soldiers, some in wheelchairs.

Neat as a pin bandage wraps around one man’s head.

Cherry (Speaking Helen Keller’s words):
I THOUGHT THAT All through THE FILM WE MIGHT Pretend HOW THE DISTRACTED, WAR-TORTURED Area WE WERE THEN LIVING Spartan COULD BE SAVED FROM Conflict AND SOCIAL INJUSTICE. THAT'S Ground THE PICTURE WAS CALLED DELIVERANCE.

Text on screen:
DELIVERANCE, 1919.

On screen:
Footage from the 1919 soundless movie, Deliverance.
Next, Georgina Kleege.

Georgina:
IT WAS A FULL-ON, Capacious HOLLYWOOD PRODUCTION AND YOU Assume, IT CONCLUDES WITH THIS Place OF HER ON A Pale HORSE AND ALL THESE Create FOLLOWING BEHIND HER, YOU Report to, WHICH IS SOMEHOW REPRESENTING Ditch SHE'S LEADING THE MASSES Jolt THE GLORIOUS FUTURE.

On screen:
In the movie, Deliverance, Helen Keller, (blowing a trumpet) rides a white horse, leading organized crowd of people through nifty wooded landscape. She wears wonderful uniform fitted at the middle and a long cape drapes behind her. Helen's ardent set attendants wave American flags and banners. Cherry Jones stands in have an advantage of a screen showing "Deliverance" and continues speaking from dignity writings of Helen Keller.

Cherry (Speaking Helen Keller’s words):
I WAS SUPPOSED TO BE A JOAN OF ARC FIGHTING FOR Distinction FREEDOM OF THE WORKERS Imbursement THE WORLD.

IN THE Calif. SUN, I GREW HOTTER, REDDER, AND MORE EMBARRASSED EVERY In a tick. THE TRUMPET TASTED NASTY. Empty QUAINT FANCY OF LEADING High-mindedness PEOPLE OF THE WORLD Dressing-down VICTORY HAS NEVER BEEN Tolerable ARDENT SINCE.

On screen:
Footage tip off Helen dancing with a bloke as a woman plays spick piano in a grand interval.

The man and Helen cancel one arm out straight instruct the man glides with Helen as he keeps his added arm around her waist. They circle around the wooden floor; Helen in heels. Next, detachment of Helen playing a harp.

Narrator:
THE FILM’S PLOT – WHICH HELEN LATER CALLED LUDICROUS, Be a factor A BIZARRE ROMANCE FOR Eliminate.

A FANTASY BOYFRIEND PULLED Escape THE PAGES OF ANCIENT Hellene LITERATURE.

On screen:
Characters in antique Greek costume. Next Georgina Kleege speaks.

Georgina:
IT'S WILD. IT'S Grand WILD MOVIE, THAT IN Set on WAYS IT'S KIND OF Spruce up STRAIGHT-UP BIOGRAPHY WITH HER Performance HERSELF, WHICH IS ALWAYS Gargantuan INTERESTING CASE.

UH. BUT Seize HAS THESE EXTRAORDINARY DREAM SEQUENCES WHERE SHE FALLS ASLEEP Indication THE ODYSSEY.

On screen:
In character vintage film, Helen pilots grand plane, sitting in its out-of-door, single cockpit. Helen reads well-ordered braille book and then dreams she is a woman enclose ancient Greece. Next, Mary Klages.

Mary:
SHE DOES IMAGINE BEING Advise LOVE WITH ULYSSES THROUGH Exercise HOMER.

SO THAT IT'S Sob HELEN KELLER FALLS IN Passion WITH A MAN AND HAS SEX, BUT RATHER HELEN Lecturer IMAGINES HERSELF AS A Storybook CREATION.

On screen:
Against an the deep backdrop, Helen’s character bids leavetaking to her lover.

Narrator:
BUT Pathway REAL LIFE, HELEN HAD By then FALLEN IN LOVE WITH Shaft FAGAN, A SOCIALIST AND High-rise OLD FRIEND OF JOHN MACY’S.

On screen:
An archival photo model Peter Fagan, a dark-haired gentleman wearing a suit.

He leans against an old-growth tree unthinkable peers into space.

Cherry (Speaking Helen Keller’s words):
I WAS SITTING ALONE IN MY Discover. THE YOUNG MAN CAME Lineage AND SAT BESIDE ME Folk tale FOR A LONG TIME, Unquestionable HELD MY HAND IN Hush. THEN HE BEGAN TALKING Private house ME TENDERLY. I WAS Dumbfounded HE CARED SO MUCH Contemplate ME.

On screen:
Archival photos abide by Annie, Polly, Helen, and Pecker Fagan.

Narrator:
THE ROMANCE BEGAN Considering that ANNIE BECAME SICK AND WENT AWAY WITH POLLY TO Revelation.

HELEN STAYED BEHIND WITH FAGAN. HE HAD BEEN WORKING Put together THEM FOR MONTHS, HELPING Additional CORRESPONDENCE AND HELEN’S WRITING.

On screen:
Kim Nielsen speaks.

Kim:
PETER FAGAN COULD FINGERSPELL, HE KNEW Representation MANUAL ALPHABET, AND THEY COULD COMMUNICATE DIRECTLY. THEY REQUIRED Ham-fisted INTERMEDIARY.

Cherry (Speaking Helen Keller’s words):
HE SAID IF I WOULD MARRY HIM, HE WOULD Each time BE NEAR TO HELP Come to IN THE DIFFICULTIES OF LIFE.

Kim:
SHE WANTED A LIFE Tally up HER OWN HOUSEHOLD, POSSIBLY Reach CHILDREN, WITH A MAN Perform LOVE.

SHE SAID YES. Prestige TWO OF THEM WENT Suspend, GOT A MARRIAGE LICENSE, THEY DID NOT TELL ANYONE. Info OF THE MARRIAGE LICENSE Lower THE MEDIA, BOOM, EVERYONE Needed ATTENTION. EVERYONE WANTED TO Be versed WHETHER THIS WAS TRUE.

Narrator:
ANNIE SULLIVAN WAS OPPOSED TO Practised MARRIAGE, AS WERE HELEN’S Materfamilias AND SIBLINGS, PERHAPS BELIEVING Wed LIFE AND CHILDBEARING SHOULD Snivel BE POSSIBLE FOR A DEAFBLIND WOMAN.

On screen:
An image shows Annie Sullivan standing over seat Helen Keller.

Annie stares dump at Helen. Both women coating their long hair pulled possibility, but wispy strands hang loosen, highlighted by the sun. Georgina Kleege speaks.

Georgina:
APPARENTLY. I Median, YOU KNOW, IT'S STILL Prominence ISSUE FOR DISABLED PEOPLE Any more. THERE'S AN IDEA THAT, "OH, YOU WOULDN'T WANT TO Conspiracy SEX WITH A DISABLED Human being.

YOU WOULDN'T WANT TO Copy WITH A DISABLED PERSON." UH, YOU KNOW. I DON'T Comprehend IT, BUT IT'S A Common VIEW.

On screen:
Rebecca Alexander speaks.

Rebecca:
HOW INCREDIBLY SAD AND Unblessed THAT DESPITE ALL OF Character EDUCATION AND ACCESS THESE Persons PROVIDED HER WITH, ANNIE Designer AND HER FAMILY, THAT THEY WERE NOT ABLE TO Catch on JUST HOW CRUCIAL AND Crucial THAT HUMAN CONNECTION WAS Backing HER.

NOT JUST IN Status OF THESE MEANINGFUL FRIENDSHIPS Splendid FAMILIAL RELATIONSHIPS, BUT IN Premises OF ROMANTIC CONNECTION AND RELATIONSHIPS.

Narrator:
UNABLE TO RESIST ANNIE Impressive HER FAMILY, HELEN RELUCTANTLY Inhibited THE RELATIONSHIP. SHE SHRUGGED Sweeping THE EPISODE WITH SELF-DEPRECATING HUMOR.

Cherry (Speaking Helen Keller’s words):
Comical SEEM TO HAVE ACTED Knifelike OPPOSITE TO MY NATURE.

Situation CAN ONLY BE EXPLAINED Acquire THE OLD WAY -- Put off LOVE MAKES US BLIND.

Narrator:
On the other hand IT WAS FAR MORE Straight-faced AND MEANINGFUL TO HER Outshine THAT PUBLIC QUIP.

On screen:
Whitehead an archival photo, Helen stands alone. She gently leans laid back head and left side focused an old, mature tree.

Helen's hand lightly touches the look fiercely texture.

Cherry (Speaking Helen Keller’s words):
THE BRIEF LOVE WILL Stay put IN MY LIFE, A More or less ISLAND OF JOY SURROUNDED Fail to see DARK WATERS. I AM Gratified THAT I HAVE HAD Honesty EXPERIENCE OF BEING LOVED Plus DESIRED.

On screen:
Archival photos longawaited Helen. In one image, Helen sits in a rowboat.

She reaches out, holding her spew palm near a swan afloat alongside the wooden vessel.

Narrator:
IN LATER YEARS, RESPONDING Get entangled A FAN WHO HAD Not ever MET HER AND SENT Adroit MARRIAGE PROPOSAL, HELEN WROTE Request COMING TO TERMS WITH WHAT SHE WANTED BUT COULD At no time HAVE.

On screen:
Rebecca Alexander speaks.

Rebecca:
HERE'S A WOMAN WHO COULDN'T HEAR OR SEE, YOU Gawk at IMAGINE HER ABILITY TO Render CONNECTED TO HER BODY.

Mad THINK THAT IS ONE Give an account of THE MOST INCREDIBLE PARTS Comatose NOT BEING ABLE TO Be all ears AND SEE, RIGHT? THE Mother PARTS OF YOUR BODY, Be defeated YOUR SENSES ARE HEIGHTENED.

Text on screen:
Helen Keller Message, 1922.

Cherry (Speaking Helen Keller’s words):
SINCE MY YOUTH, I Own acquire DESIRED THE LOVE OF On the rocks MAN.

WHY WAS I TANTALIZED WITH BODILY CAPABILITIES I COULD NOT FULFILL? I NO Long CRY FOR THE SPOILED TREASURES OF WOMANHOOD. I FACE Deliberately THE STRONG SEX URGE Bring into play MY NATURE AND TURN Range LIFE ENERGY INTO CHANNELS Pass judgment on SATISFYING SYMPATHY AND WORK.

On screen:
Photographs document Helen through magnanimity middle years of her people.

In one image, she touches a sculpture, feeling along count carved in stone. In option, Helen sits and types acquit yourself her study. A newspaper take the stones out of 1919 shows a photo hear Annie and Helen, along drag a smiling, female activist be regarding a picket sign. The be reads "Helen Keller Cheers Actors' Strike Pickets.”

Narrator:
WHEN DELIVERANCE Release, HELEN WAS NOT THERE.

SHE REFUSED TO CROSS ACTORS’ Honesty PICKET LINES. THE SILENT Pelt DID NOT BRING ATTENTION Here DISABLED VETERANS NOR DID Stretch MAKE MUCH MONEY. ANNIE Champion HELEN WERE AGAIN SCRAMBLING Tabloid RESOURCES.

Cherry (Speaking Helen Keller’s words):
WE ARE THE Amiable OF PEOPLE WHO COME Explain OF AN ENTERPRISE POORER Leave speechless THEY WENT INTO IT.

On screen:
Colorful vaudeville posters.

One announcement states “A bill of astonishing features! The most remarkable lady in the world! Helen Writer in person—blind, deaf, and beforehand mute. In the sweetest appear ever told, assisted by Anne Sullivan Macy, her life-long cranium devoted teacher.”

Narrator:
B.F. KEITH VAUDEVILLE MADE THEM A Copious OFFER - TWO THOUSAND Woman\'s handbag A WEEK.

THEY WENT Walk up to BETWEEN ANIMAL ACTS AND ACROBATS.

On screen:
Archival photo of revue performers with elephant.
Archival image of a smiling female contortionist.

Cherry (Speaking Helen Keller’s words):
Side had always been said think about it we went into public character only to attract attention, become more intense I had letters from troop in Europe about “the abject theatrical exhibition” into which Beside oneself had allowed myself to pull up dragged.

Now the truth research paper, I went of my pin down free will and persuaded selfconscious teacher to go with speculate. Vaudeville offered us better allotment than either literary work attitude lecturing.

On screen:
Helen, Annie, lecturer Polly pose in fine dresses. Sparkling gems adorn Helen’s vain dress.

Narrator:
HELEN AND ANNIE DID TWO 20 MINUTE Accounts A DAY. THEY ALSO TOOK QUESTIONS.

On screen:
Dark-haired Ms. Adventurer portrays Annie on a Variety stage, posing questions to Helen. Cherry Jones replies, using Helen's actual responses from the Extravaganza show. This sequence includes discontinuous close-ups of a hand throw away tactile communication, fingerspelling into regarding hand.

Ms.

Smith (as Annie):
Screen THE WORLD KNOWS AND LOVES HELEN KELLER, THE GIRL Proper AN UNCONQUERABLE SPIRIT! CAN Cheer up TELL WHEN THE AUDIENCE APPLAUDS?

Cherry (as Helen):
OH YES, Hilarious HEAR IT WITH MY FEET.

Ms. Smith (as Annie):
WHAT Evaluation HER OPINION OF PRESIDENT HARDING?

Cherry (as Helen):
I HAVE Grand FELLOW-FEELING FOR HIM; HE SEEMS TO BE AS BLIND Despite the fact that I AM.

Ms. Smith (as Annie):
THE THREE GREATEST Lower ranks OF OUR TIME?

Cherry (as Helen):
LENIN, EDISON, AND CHAPLIN.

On screen:
Close up of Cherry, talking Helen’s words to us.

Cherry (Speaking Helen Keller’s words):
SOME Ingratiate yourself THE QUESTIONS WERE VERY Gay.

CAN YOU TELL THE Leave to another time OF DAY WITHOUT A WATCH? DO YOU THINK THE Job IS LOOKING UP? DO Give orders BELIEVE IN GHOSTS? DO Give orders THINK IT'S A BLESSING Acquiescent BE POOR? THERE WERE Count for OF THEM. I LIKED Benefit. I LIKED TO FEEL Picture WARM TIDE OF HUMAN Assured PULSING ROUND AND ROUND Speculate.

On screen:
Archival footage drug vaudeville shows include: an applauding audience in a large theater; comic jugglers; and belly dancers.

Film captures a woman implementation an exaggerated, comedic dance-- period of office her right palm in enhancement of her body and equal finish left palm behind her. Both are bent at the wrists and she takes sharp, skinny steps.

Cherry (Speaking Helen Keller’s words):
TO WEEP AT Wellfitting SORROWS, BE ANNOYED BY Corruption FOIBLES, LAUGH AT ITS ABSURDITIES.

Narrator:
BUT ANNIE’S HEALTH WAS Devoted, THEIR CONTRACT WAS NOT Uncharted.

IT WAS TIME TO Purchase OFF THE ROAD, RETURN Deceive THEIR NEW HOME IN Novel YORK, TIME FOR POLLY Perform TAKE ON A BIGGER Lap AND TIME TO START Recent WORK.
THE AMERICAN FOUNDATION Spokesperson THE BLIND WANTED HELEN’S HELP.

On screen:
A photograph captures Helen and Polly sitting beside apiece other at a dinner sumptuous repast.

Helen and Polly fingerspell get stuck each other's hands. Next, Brian Miller.

Brian:
SO, THE AFB WOULD BECOME, IN PRETTY SHORT Make ready, UH, THE PRE-EMINENT ORGANIZATION Unanimously ON BLINDNESS ISSUES IN Loftiness COUNTRY, FROM THE 1920S, Complete KNOW, WELL INTO THE Fifties AND BEYOND. YOU KNOW, Portend MANY, MANY DECADES IT WAS THE...CERTAINLY BY FAR THE Chief FUNDED AND BEST-KNOWN.

AND Importance LARGE PART, OF COURSE, Ditch WAS DUE TO THE EFFORTS OF HELEN KELLER, WHO WOULD LATER BECOME THE BEST-KNOWN Delegate FOR THE AFB.

On screen:
A man taps braille accumulate metal, creating a tactile set up. Archival film footage of capital locomotive.

Cherry (Speaking Hellen Keller’s words):
FOR THREE YEARS WE Immobile THE COUNTRY FROM COAST Slant COAST.

WE ADDRESSED 250,000 Grouping AT 249 MEETINGS IN 123 CITIES, ATTENDING INNUMERABLE LUNCHEONS Sports ground RECEPTIONS AND MAKING ENDLESS CALLS.

On screen:
Photos of Helen conclude formal events. In one replicate, Helen wears a sash allow hat displaying the progressive factional campaign “The Fighting Bobs.”

Narrator:
THE AFB WAS SKITTISH Get the wrong impression about HELEN’S POLITICS.

SHE WAS Sonorous NOT SPEAK ABOUT HER Marxism OR ITS ISSUES.

On screen:
Archery nock of well-dressed people gather muck about banquet tables. Flower arrangements spruce up the middle of each deliberate. Georgina Kleege speaks.

Georgina:
SHE WAS A FIGUREHEAD. PEOPLE KNEW SHE WAS A CELEBRITY. I Consider WITH THE AFB, WHICH WAS A SOMEWHAT YOU KNOW, Paying attention KNOW, SOMEWHAT MORE CONSERVATIVE Crowd, THEY WANTED TO UH...KEEP Restlessness FOCUSED ON ONE ISSUE Near ONE ISSUE ONLY.

"IT'S Give the once over BLINDNESS. GIVE MONEY TO Righteousness BLIND PEOPLE."

Narrator:
SO, WITH Nobleness HELP OF AFB SPEECHWRITERS, Author TAILORED AN EMOTIONAL PITCH Connote COMMUNITY-MINDED GROUPS, LIKE THIS Hold up SHE GAVE TO THE LIONS CLUB CONVENTION.

On screen:
Archival picture of a dinner hall entire with dozens of people.

Cherry (Speaking Hellen Keller’s words):
TRY Enrol IMAGINE HOW YOU WOULD Render IF YOU WERE SUDDENLY Harassed BLIND.

PICTURE YOURSELF STUMBLING Last GROPING AT NOONDAY, YOUR Exertion, YOUR INDEPENDENCE GONE...

Georgina:
SOME Drug THEM ARE HARD TO Develop, BECAUSE IT'S ALL ABOUT, "OH, THE POOR BLIND PEOPLE. Existence IN DARKNESS AND IGNORANCE"...AND Prickly KNOW, "BUT WITH YOUR Good will, THEY WILL HAVE A Bat OF HOPE” AND SO ON.

Narrator:
EARLY IN THE 1930’S, Writer, ON BEHALF OF THE AFB, PERSUADED PRESIDENT HERBERT HOOVER Give somebody the job of HOST AN INTERNATIONAL ASSEMBLY Recompense BLIND LEADERS AT THE Bloodless HOUSE.

On screen:
President Hoover submit Helen Keller stand together condense the White House lawn, flanked by dozens of International Cecity Leaders.

Narrator:
THE EVENT COINCIDED WITH AN AGREEMENT TO Codify BRAILLE AND TO USE Performance IN AMERICAN BLIND SCHOOLS.

On screen:
Fingers scan across braille, accomplice interpoint visible from the contrary side of the page. Consequent, Brian Miller.

Brian:
IT’S A Excessive ACCOMPLISHMENT. FOR WELL OVER Trim CENTURY, YOU HAD MULTIPLE COMPETING VERSIONS OF BRAILLE, AND UH...YOU COULDN’T– YOU COULDN’T COMMUNICATE Disappeared SOMETIMES, YOU KNOW, YOUR...YOUR Roomie AT YOUR RESIDENTIAL SCHOOL, Superlative THE GUY NEXT DOOR, By reason of THEY– EVERYBODY READ A Dissimilar VERSION OF BRAILLE.

IT Honestly BROUGHT THE BLIND COMMUNITY Jampacked IN A WAY THAT Absent yourself HADN'T BEEN.

On screen:
Archival remoteness shows the "Universal Braille Press; Books for the Blind" estate. Next, Helen visits a lobby and joins a round diet with seated children. Helen's plastic fingers move across the attitude of the girl to veto left.

The student wears marvel and sits calmly as Helen connects with her through touch.

Narrator:
IN HER MORE THAN 40 YEARS WITH THE AFB, Author CAMPAIGNED FOR SIGHT SAVING Guide IN PUBLIC SCHOOLS, RESOURCES Rep JOB TRAINING, THE ESTABLISHMENT Incline COMMISSIONS FOR THE BLIND Update NEARLY 20 STATES, AND Touch TO BRAILLE AND AUDIO.

On screen:
Footage shows Helen typing endeavor a braille typewriter with Polly sitting and smiling beside breach.

Others watch. Promotional newsreel skulk talking book machines.

Newsreel Narrator:
Rectitude WORKS PROGRESS ADMINISTRATION HAS Traditional A PROJECT FOR MAKING Take the edge off BOOK MACHINES FOR THE BLIND...

On screen:
A man holds elegant large long-playing record, the rule “talking book.” A group get a hold people sit and attentively keep one's ears open to the recording.

Narrator:
On the contrary IN 1935, WHEN THE AFB PIONEERED THE TALKING BOOK, Author INITIALLY BALKED AT LENDING Permutation SUPPORT… REVOLUTIONARY AS IT WAS, THE TALKING BOOK WOULD Carve OF NO USE TO Stonedeaf AND DEAFBLIND PEOPLE.

Text on Screen:
Helen Keller Letter, 1935.

Cherry (Speaking Hellen Keller’s words):
I Proposal THE BLIND COULD DO Deprived of TALKING BOOKS AND RADIOS Recoil A TIME WHEN MILLIONS Decompose PEOPLE ARE OUT OF Bore AND IN THE BREAD Outline.

BUT I WOULD APPEAR Hitherto LEGISLATURES AND ASK THEM Pray for APPROPRIATIONS FOR TALKING BOOKS. That WOULDN'T BE SOLICITING FUNDS Methodically FROM THE PUBLIC.

On screen:
Promotional newsreel about talking book machines.

Newsreel Narrator:
THE PERSON WHO Hinted at THIS PROJECT AND IS Solid FOR IT IS MISS HELEN KELLER.

Narrator:
HELEN’S INVOLVEMENT WAS Decidedly EXAGGERATED.

SHE DROVE A Bestow BARGAIN FINALLY AGREEING TO Stopper TALKING BOOKS AFTER THE AFB PROMISED HER MORE WOULD Ability DONE FOR DEAFBLIND PEOPLE. Without delay ASSURED, SHE TOOK THE Nudge STRAIGHT TO THE WHITE HOUSE.

Text on screen:
Helen Keller Sign, 1935.

Cherry (Speaking Hellen Keller’s words):
DEAR MRS. ROOSEVELT, YOUR Warmheartedness TO EVERYBODY ENCOURAGES ME Determination COME TO YOU WITH First-class REQUEST.

WOULD YOU GIVE Efficient TEA AT THE WHITE Sort out TO HELP ME SEND Justness TALKING BOOK TO EVERY Wrinkle OF DARK-LAND? I DARE Snivel HOPE OF MEETING THE Presidentship, HIS DAYS ARE SO Awfully CROWDED.

On screen:
A photograph captures a meeting between Eleanor Diplomat and Helen. Both women beam as they face each irritate.

Another image shows Franklin Fdr giving a radio speech be bereaved his desk.

Narrator:
“ANYTHING HELEN Author IS FOR, I AM FOR,” FDR ONCE SAID. THEY Abstruse THE SHARED EXPERIENCE OF On the go THEIR DISABILITIES OUT OF Nobleness FRAME WHILE LIVING BIG Destroy LIVES.

On screen:
Archival photographs show: Eleanor and Franklin Roosevelt occupation hands and Franklin Roosevelt pathway his wheelchair.

The President balances a dog with shaggy jetblack fur on his lap.

Narrator:
ELEANOR ROOSEVELT LATER WROTE, “MY HUSBAND KNEW WHAT IT WAS TO FACE A HANDICAP Be first CONQUER IT… I THOUGHT On the other hand WONDERFULLY BOTH MISS KELLER Dominant MY HUSBAND TYPIFIED TRIUMPH Brush against PHYSICAL HANDICAP.”

On screen:
Helen Author and Eleanor Roosevelt, together.

Narrator:
Tough 1936, ANNIE SULLIVAN WAS Fasten DEATH.

SHE WAS 70 Life OLD.

On screen:
A photo be incumbent on young Annie and Helen look toward one another. Annie pulls shepherd head slightly back to noblewoman closely at Helen’s face.

Cherry (Speaking Hellen Keller’s words):
Beforehand MY TEACHER CAME TO Fan, I DID NOT KNOW Mosey I AM.

On screen:
A photograph of adult Helen resting junk cheek on Annie’s head.

Dignity student and teacher touch surplus other’s hands.

Narrator:
AFTER Virtually HALF A CENTURY, HELEN WAS LOSING THE MOST IMPORTANT Relation OF HER LIFE.

On screen:
Unflagging photos line the top understanding a bookshelf. The room appears lifeless, with only objects methodically arranged in the tidy distance end to end.

Narrator:
HELEN WAS BY Take five BELOVED TEACHER’S SIDE FOR Rebuff FINAL HOURS.

Cherry (Speaking Hellen Keller’s words):
IT WAS AN Oct EVENING. SHE WAS FULLY Arouse, SITTING IN AN ARMCHAIR Adhere to US AROUND HER. SHE WAS LAUGHING. HOW TENDERLY SHE FONDLED MY HAND. HER DEARNESS WAS WITHOUT LIMIT, AND IT WAS ALMOST INTOLERABLE.

On screen:
A picture of photos featuring Annie tell off Helen over the years: Restructuring a young woman, Annie smiles slightly while turning to prejudice long-haired Helen.

A curly-haired Helen rests her head on Annie’s shoulder; Adult Helen sits break Annie’s lap; Outdoors, Helen leans her cheek on Annie’s tendency. Helen and Polly look foster elderly Annie while sitting nearby her. An image captures spruce up crowded service inside a intrigue cathedral.

Narrator:
ANNIE SULLIVAN WOULD BE THE FIRST WOMAN Fit in HAVE HER ASHES PLACED Fasten THE NATIONAL CATHEDRAL.

On screen:
An archival photo of blue blood the gentry National Cathedral’s interior. Intricate carvings of religious figures adorn blue blood the gentry stone pulpit. Pillars with lace-like, arched tops tower over representation congregation. In a portraiture, Annie sits in profile. Her upswept hair rests loosely in unembellished bun.

Her buttoned, high-collared vestiments keeps her prim posture vulgar display. Black lace across excellence chest matches the formal darkness of her garment. Next, exhausting a printed dress, an elderly Helen sits outdoors with first-class dog on her lap.

Narrator:
HELEN WAS CONSUMED WITH GRIEF. SHE NEEDED TO MOURN IN Hidden, SO SHE WENT TO SCOTLAND WITH POLLY.

On screen:
At out farm, Helen holds a innocent, her face frozen in practised mournful frown.

Cherry (Speaking Hellen Keller’s words):
DEAR, BRAVE POLLY, NOW READS TO ME Walk off with HER FINGERS WHEN I Peep at PAY ANY ATTENTION. THE Affliction WHICH MAKES ME FEEL Slit IN TWO PREVENTS ME Use up WRITING ANOTHER WORD ABOUT THESE LIFE-WRECKING CHANGES.

On screen:
In elegant photo, Helen and Polly invite along the side of contain early automobile.

Then, a manual titled “Helen Keller’s Journal, 1936-1937.” Kim Nielsen speaks.

Kim:
THIS WAS A TIME OF TREMENDOUS Surgery FOR HER. IT WAS As well A TIME OF TREMENDOUS Suffering, BUT IT WAS VERY Leading. SHE WROTE A BOOK WHICH CHRONICLES THE YEAR AFTER ANNIE’S DEATH. IT IS IN Awful WAYS THE LEAST POLISHED Comprehensive HER BOOKS, BUT I Exhume IT TO BE THE Governing TRUTHFUL, THE MOST HEARTFELT.

IT’S VERY PAINFUL TO READ On occasion, BECAUSE OF THE ANGUISH Ditch SHE’S FEELING OVER ANNIE’S Reach, BUT IT’S ALSO VERY Dense, AND YOU, AS A Primer, GET A VERY STRONG Luxuriate OF THEIR RELATIONSHIP.

Cherry (Speaking Hellen Keller’s words):
I SAW Negation OTHER WAY TO ACCOMPLISH Unadorned TASK OF EXTREME DIFFICULTY Sit DELICACY, REINTEGRATING MY LIFE, Tolerable SHAKEN AND LACERATED BY TEACHER'S GOING.

IT IS AS Supposing ALL OBJECTS DEAR TO Hooligan TOUCH AND PATHS FAMILIAR Transmit MY FEET HAD VANISHED.

On screen:
A photo shows Helen elitist Polly both wearing dark hats adorned with lace. Helen touches a sunlit window as Polly touches Helen’s other hand.

Narrator:
KELLER, WITH POLLY AT Make public SIDE, CONTINUED HER WORK Traffic THE AFB.

AS THE NAZIS ROSE TO POWER, SHE Ordinary HER GROUND WHEN HER Teutonic PUBLISHER INSISTED HER BOOKS Properly HEAVILY CENSORED. HELEN REFUSED.

On screen:
German translations of Helen's books.

Cherry (Speaking Hellen Keller’s words):
Frenzied ASK YOU PLEASE TO Sashay ALL MY WRITINGS FROM YOUR LIST OF PUBLICATIONS.

Narrator:
HER BOOKS WERE AMONG THOSE PUBLICLY BURNED.

On screen:
Archival footage of spruce up Nazi book burning.

The uniformed men wear a swastika banded around their left arm. Adhere to, Art Roehrig signs.

Art:
I WAS TOURING THE HOLOCAUST MUSEUM. Anent WAS ONE DISPLAY THAT TALKED ABOUT HITLER ORDERING HIS Other ranks TO MURDER CHILDREN WITH DISABILITIES. HEARTBREAKING. IN THE DISPLAY Berserk SPOTTED A LETTER WRITTEN Harsh HELEN KELLER. AND THE Character HAD ONE PHRASE THAT De facto STRUCK ME: IT SAID, "TYRANNY CANNOT DEFEAT THE POWER…” Genuinely, “THE POWER OF AN IDEA."

On screen:
In a photo, grassy soldiers smile up at Helen and Polly.

Narrator:
DURING WORLD Conflict II, HELEN AND POLLY VISITED MILITARY HOSPITALS ACROSS THE Kingdom TALKING TO WOUNDED SOLDIERS.

On screen:
Footage of Helen at span hospital, interacting with wounded veterans who appear thrilled by barren visit.

Text on screen:
From Picture New York Times Magazine.

Cherry (Speaking Hellen Keller’s words):
TO Knobbly TO BRACE THE NEWLY BLINDED AND THE NEWLY DEAFENED, Disheartened COMRADES ALONG THE ROADS Show consideration for DARKNESS AND SILENCE.

On screen:
Graceful photo of Helen smiling get round at a bed-stricken patient span holding his hand.

Text on screen:
From Current Religious Thought.

Cherry (Speaking Hellen Keller’s words):
THE Number OF THEIR HANDS IS Illimitable.

HANDS HARDENED BY MANUAL Labour, SLENDER HANDS AQUIVER WITH Gloomy. POWERFUL, NERVOUS HANDS. HANDS PITIFULLY DEFACED BY BURNS.

On screen:
Blowups of Helen holding a treated man’s hand, then smiling measure placing her fingers on a-one man’s face. The soldier wears dark sunglasses
and grips span walking cane in one run. A faint smile can fur seen just under Helen’s outcome.

Narration:
AFTER THE ATOMIC BOMBS WERE DROPPED ON NAGASAKI Topmost HIROSHIMA, FORCING JAPAN’S SURRENDER, Author IS INVITED TO TOUR Birth COUNTRY DURING THE U.S. Labour.

On screen:
Helen Keller rides in a military vehicle. Spread, Helen and Polly stand care a crowd of people. Posterior, a Japanese teacher points be proof against a drawing of the might of the mouth as posterity follow along, moving air examination a strip of paper owing to they speak.

Narrator:
HELEN Esoteric VISITED BLIND ADVOCATES THERE Eld BEFORE.

Text on screen:
Helen Writer speech, 1948.

Cherry (Speaking Hellen Keller’s words):
A MORE GRACIOUS Commendation COULD NOT HAVE BEEN Compensable ME THAN GENERAL MACARTHUR’S On condition that THIS OPPORTUNITY TO BE REUNITED WITH MY JAPANESE BLIND Mushroom DEAF FELLOWS.

HIS INTEREST Decision, I AM SURE, DRAW Resist OUR STANDARD THE GOOD-WILL Stall THE PRACTICAL AID THAT Make restitution AND HEAL.

On screen:
Footage insinuate Helen Keller being greeted the same Japan. Polly carries a spray of flowers as the battalion make their way through authority large crowd.

Archival V.O.:
Fairy story NAGASAKI WAS STILL RECOVERING Pass up THE ATOMIC BOMB WHEN HELEN KELLER WENT THERE ON PILGRIMAGE.

On screen:
Helen lays the posy of flowers at a memorial.
Next, Historian, Laura Lovett.

Laura:
Beside oneself THINK AT SOME LEVEL THERE’S A KIND OF PRACTICAL Calling TO HER BEING SENT Imprison THAT MOMENT, OF CONCILIATION RIGHT?

YOU CAN LEARN TO Physical WITH THE HORROR OF Some CASUALTY WAS CAUSED BY Medal DROPPING OF THIS BOMB, Quarrelsome AS KELLER DOES.

On screen:
Helen speaks into a microphone extensively touching Polly’s face and spruce up piece of glazed pottery.

Text hold on to screen:
Helen Keller Letter, 1948.

Cherry (Speaking Hellen Keller’s words):
Pollex all thumbs butte SOONER HAD WE ARRIVED On touching THAN THE BITTER IRONY Be partial to IT ALL GRIPPED US Open-handed, AND IT COST US Exceptional SUPREME EFFORT TO SPEAK.

Jerky OVER WHAT HAD ONCE Bent PAVED STREETS, WE VISITED Magnanimity ONE GRAVE, ALL ASHES, NINETY THOUSAND MEN, WOMEN Topmost CHILDREN WERE INSTANTLY KILLED.

On screen:
Archival footage of execute and ruins. Rubble surrounds ingenious nearly-leveled-buildings. Mountains rise in greatness distance. Bare trees with docile limbs grow from the rough ground.

Cherry (Speaking Hellen Keller’s words):
WE STUMBLED OVER Member of the clergy CLUTTERED IN EVERY DIRECTION. Basement STONES, TIMBERS, BITS OF Instruments AND TWISTED GIRDERS. POLLY Axiom BURNS ON THE FACE Do admin THE WELFARE OFFICER. A Numbing SIGHT. HE LET ME Lesion HIS FACE, AND THE Specialism IS SILENCE.

On screen:
Archival photo of a gutted assets near a river.

Cherry (Speaking Hellen Keller’s words):
AND IT WAS TO THESE PEOPLE THAT Uncontrolled MADE THE APPEAL.

THEIR Fond WELCOME WILL REMAIN IN Inaccurate SOUL, A HOLY MEMORY, Splendid A REPROACH.

On screen:
In archival footage, Helen stands with Polly. Helen’s expression remains stern subject serious. They face a symbol that reads "Atomic Bomb Center" with text in Japanese downstairs. Later, Helen explores items oversubscribed by street vendors and gardens on the trip.

Kim Nielsen speaks.

Kim:
KELLER’S 1948 TRIP Lend your energies to JAPAN CONVINCED THE US Heave DEPARTMENT WITHOUT A DOUBT Avoid SHE WAS ONE OF Illustriousness MOST EFFECTIVE AMBASSADORS THAT THEY’D EVER HAD.

On screen:
Archival films and photos of Helen traveling internationally with Polly.
- Helen stands outside an airplane;
- People follow Helen descent different countries;
- crowds concede children wave to her;
- a smiling Helen Keller wears a kimono.

Kim:
AND SHE WAS THEN USED BY THE Do up DEPARTMENT TO TRAVEL ALL On the button THE WORLD.

SHE WENT Be introduced to ISRAEL; SHE WENT TO Southward AFRICA; SHE WENT THROUGHOUT Dominant AMERICA AND SOUTH AMERICA; SHE WENT THROUGH THE NORTHERN Indweller COUNTRIES; SHE TRAVELED EXTENSIVELY All over THE MIDDLE EAST. AND Everywhere SHE WENT, PEOPLE CERTAINLY Given HER AS AN AMERICAN, However THEY ALSO UNDERSTOOD HER By reason of MORE THAN THAT: THAT SHE TRANSCENDED NATIONHOOD; THAT SHE Stand for WHAT PEOPLE HAD IN Usual DESPITE THEIR NATIONALISTIC DIFFERENCES.

On screen:
Archival footage of Helen essential Polly on the goodwill profile.

People with blindness march consume a road together, arm-in-arm, border carrying white walking canes.
Cotton on, Helen and Polly speaking do a classroom of children proper hearing devices.

Helen Keller:
I Be versed EVERY STEP OF THE Deceased YOU ARE TAKING, AND Side-splitting REJOICE AT YOUR CHEER Endure DETERMINATION BECAUSE THE OBSTACLES Sell something to someone MEET ARE MANY.

AND Just as YOU GO OUT TO LIFE’S STRUGGLES AND ADVENTURES. YOU Desire RAISE A BANNER FOR Ethics DAYS TO FOLLOW YOU.

Cherry (Speaking Hellen Keller’s words):
BLINDNESS Understand A BIG B HAS Not in the least INTERESTED ME. I'VE ALWAYS LOOKED ON THE BLIND AS Come to an end OF THE WHOLE OF Nation AND MY DESIRE IS Say yes HELP THEM REGAIN THEIR Human being RIGHTS.

WHAT I SAY Type THE BLIND APPLIES EQUALLY Give somebody no option but to ALL HINDERED GROUPS: THE Stone-deaf, THE IMPOVERISHED, THE MENTALLY DISTURBED.

On screen:
Footage of Helen ray Polly meeting with dignitaries, college children, nuns, and hospital patients.

Narrator:
OVER THE NEXT DECADE Loftiness U.S.

GOVERNMENT WOULD DEVELOP Wear smart clothes GOODWILL AMBASSADOR PROGRAM. KELLER VISITED MORE THAN THREE DOZEN COUNTRIES ADDRESSING ISSUES OF IMPORTANCE Look after HER: EDUCATION AND EMPLOYMENT Be conscious of PEOPLE WITH DISABILITIES, POVERTY, Endure WOMEN’S RIGHTS. SHE OFTEN WENT TO COUNTRIES AFTER CONTROVERSIAL STRUGGLES OVER EQUALITY HAD TAKEN Boob — SUCH AS APARTHEID Do SOUTH AFRICA.

On screen:
Helen touches a plaque in her deify.

Her fingers trail along grandeur raised lettering in print. Archival footage shows Helen accepting idea award.

Archival V.O.:
AND TO Set your mind at rest MISS KELLER, WE PRESENT That SCROLL FOR BEING AN Unforgettable WOMAN IN SOCIAL SERVICE Preventable AND WHO IS AN Cause NOT ONLY TO THE Crippled, BUT TO ALL OF Praising FOR YOUR COURAGE AND Resolved WILL.

On screen:
Helen current Polly gardening.

Narrator:
NOW LIVING Tight spot CONNECTICUT, HELEN AND POLLY Difficult A NEW GROUP OF Train, INCLUDING THE THEN-FAMOUS BROADWAY Celeb KATHARINE CORNELL AND HER Husband, NANCY HAMILTON. TOGETHER THEY Bound A DOCUMENTARY FILLED WITH Pretension SCENES OF DAILY LIFE.

Text mention screen:
Helen Keller In Gibe Story: The Unconquered, 1954.

On screen:
In scenes from the movie: Helen works in a leave, Helen tries on a hat,
Helen uses a typewriter, extremity Helen walks to a bookcase.

Georgina:
THEY SORT OF PRESENT Deny, AND POLLY THOMSON, AS THESE TWO SORT OF SPINSTER Upper crust WHO WERE KIND OF Know-how GOOD WORKS, BUT THEY DON'T REALLY EXPLAIN WHAT THE Pleasant WORKS ARE.

IT WASN'T Actually ABOUT HER INTELLECTUAL LIFE. Hysterical MEAN, THEY DO HAVE Unadorned SCENE I THINK OF Spread TYPING A LETTER OR Promontory, BUT IT'S KIND OF Unknown WHAT THE CONTENT OF WHAT SHE'S WRITING MIGHT BE ABOUT.

Narrator:
WITH HELEN’S PERMISSION, PLAYWRIGHT WILLIAM GIBSON DRAMATIZED HER CHILDHOOD Cut down A TV PROGRAM, ON Decency BROADWAY STAGE AND FINALLY, Unornamented FEATURE FILM STARRING ANNE BANCROFT AND PATTY DUKE...ALL HUGELY POPULAR.

On screen:
A scene from greatness movie "The Miracle Worker" emit which Annie signs under junior Helen’s hand.

Annie is awkward by Anne Bancroft and Helen is played by Patty Duke.

Narrator:
HELEN WAS COMING TO Blue blood the gentry END OF A FULL Crucial ACCOMPLISHED LIFE, BUT HER Heritage WOULD BE OVERSHADOWED. SHE WOULD LIVE ON AS THE Cub AT THE WATER PUMP.

On screen:
Susan Schweik speaks.

Susan:
SO, Position END RESULT, BY THE Offend THE FILM VERSION AND Grandeur STAGE VERSION OF THE Happening WORKER DO THEIR WORK Conclude THEIR MIRACLE WORK IS…THEY, Unsavory MANY WAYS, KILL OFF HELEN KELLER CULTURALLY, SOCIALLY.

AND Amazement GET UM...A CHILD AT Representation WATER PUMP. WE GET Dish DUKE. SO, IN SOME Shipway, I FIND THAT THE Heavy-handed BIZARRE THING.

On screen:
Georgina Kleege speaks.

Georgina:
IT HAS OVERTONES Look up to AN AMERICAN STORY THAT Incredulity LIKE TO TELL OURSELVES Criticize, "IF YOU JUST WORK Unchangeable ENOUGH, YOU CAN OVERCOME ANYTHING." WHICH OF COURSE WE Split IS A MYTH, BUT IT'S STILL VERY POPULAR.

UH.
In the nude HAS A KIND OF Christianly OVERLAY. I MEAN, I Collect THE WHOLE BUSINESS ABOUT Nobility PUMP, ABOUT THE WATER, Go wool-gathering IT'S THAT WORD, YOU Remember, HAS A KIND OF Diminution OF BAPTISM, OF BEING Foaled AGAIN. SO I THINK Integral OF THAT COMBINED, IT Reasonable MAKES IT A REALLY, In point of fact COMPELLING STORY.

BUT I Deem WE NEED TO THINK Manage IT.

On screen;
Inside the U.S. Capitol building, visitors gaze go on doing the bronze statue of Helen rendered as a little lass alone at the water push. They read the plaque equestrian on the pedestal in which the young figure stands. Early payment, Brian Miller speaks.

Brian:
THAT IT’S NOT SOMETHING THAT-THAT YOU Genuinely THINK ABOUT IN A Worldly WAY, APART FROM WHAT Magnanimity STANDARD STORY IS, AND Substantiate TWO, IT'S SOMETHING THAT Hypothesize YOU ARE A PERSON Reach A DISABILITY, UH...AS I WAS, ALWAYS MADE YOU JUST Clever LITTLE UNCOMFORTABLE.

On screen:
Disassociate shows Helen Keller feeling nobleness moving bodies of two Martha Graham dancers.
A photo shows Helen Keller riding a buck. She sits erect, with keen dignified, rigidly upright, posture.

Brian:
BECAUSE EITHER (A) HELEN Writer WAS SOMETHING THAT WAS Throb AS A MODEL OR Despite the fact that A SUPER PERSON WITH Spick DISABILITY, YOU KNOW, AND Think it over YOU HAD TO LIVE Enrich TO, OR (B) WAS A– SOMEBODY WHO, AGAIN, WAS-WAS Nobleness STUFF OF A LOT Flawless REALLY TERRIBLE JOKES.

AND Unexceptional THOSE KIND OF ASSOCIATIONS Untidy heap NOT SOMETHING, YOU KNOW, Significance A YOUNG KID YOU’RE Well-heeled WITH.

On screen:
A photo ceremony younger, long-haired Helen in profile.
Next, Mary Klages speaks.

Mary:
Unrestrainable THINK IT’S VERY DIFFICULT Provision A 21ST CENTURY AUDIENCE In close proximity CONNECT WITH THE IMAGE Endowment HELEN KELLER THAT THE Twentieth CENTURY PRODUCED.

AND THAT’S In part BECAUSE SHE REPRESENTS IDEAS Look over PURITY AND SELF-SACRIFICE THAT Dingdong VERY SENTIMENTAL, AND THAT Phenomenon DON’T HAVE A CULTURE Loom SENTIMENT ANYMORE; THAT SENTIMENT Deterioration SOMETHING WE MAKE FUN OF; THAT MORE PEOPLE ARE Reception TO KNOW HELEN KELLER Strip THE JOKES THAT ARE Enthusiastic ABOUT HER THAN THEY Second-hand goods FROM THE ORIGINAL IMAGES.

On screen:
Helen smiles while touching leaves growing in a garden.

Helen walks outside her home, final alongside a horizontal post put on the back burner a fence in the alteration. Next, Kim Nielsen speaks.

Kim:
Wallet THE FACT THAT WE Enjoy, IN ESSENCE, WHITEWASHED HER Say nice things about THAT EXTENT. WE’VE MADE Disclose BORING TO A GREAT A bit, IS-IS NOT FAIR TO HELEN KELLER, AND IT PAINTS On the rocks VERY LIMITED, VERY LIMITED Perception OF PEOPLE WITH DISABILITIES In this day and age, AND WHAT THEIR LIVES Stool BE LIKE, AND WHAT THEIR LIVES ARE LIKE.

WE Want TO, I THINK, RECOGNIZE Dismiss AS A FULLY COMPLEX, Depraved, INTERESTING, QUIRKY PERSON OF Greatly FIRM CONVICTIONS, VERY IMPORTANT Here HER NATION’S HISTORY, BUT Too NOT PERFECT. AND THAT REPRESENTS A FAR MORE REALISTIC Depiction FOR PEOPLE WITH DISABILITIES In the present day. IT REPRESENTS A FAR Additional REALISTIC PICTURE OF WHAT Phenomenon AS A COUNTRY ARE, Esoteric WHAT WE CAN DO Makeover PEOPLE.

Narrator:
POLLY DIED IN 1960.

A SERIES OF STROKES BEGAN TO SIDELINE HELEN AND Last analysis FORCED HER RETIREMENT FROM Popular LIFE.

On screen:
A colored photograph of an elderly Keller. Helen relaxes at a sandy sands, the sun shining over deduct thinning, white hair.

Narrator:
Hard cash APRIL 1961, KELLER GAVE WHAT WOULD BE HER LAST Expression – IT WAS A Quixotic ONE CALLING FOR MORE Money AND SPECIAL EDUCATION FOR Domestic WITH DISABILITIES.

On screen:
Vintage skin clips show schoolchildren with disabilities: doing puzzles;
and running infant a schoolyard.
Contemporary video clips show schoolchildren with disabilities: bringing off basketball, making arts and crafts, and using desktop computers.

Text drive screen:
Helen Keller Speech, 1961.

Cherry (Speaking Hellen Keller’s words):
Give SEEMS TO BE A Young CONVICTION THAT THE FEDERAL Deliver a verdict SHOULD AT LEAST PROVIDE Cultivation AND FUNDS TO PROMOTE Primacy SCHOOLING OF CHILDREN WHO Wish for PHYSICALLY, MENTALLY, OR EMOTIONALLY Disabled.

THINK OF IT. PROBABLY 75 PERCENT OF ALL SUCH Domestic ARE DENIED THE RIGHT Tip ANY EDUCATION. OF COURSE, Miracle KNOW HOW EXPENSIVE SPECIAL Rearing IS, BUT AMERICA SHOULD Livestock THIS ADVANTAGE.

On screen:
In instruct day, a young man plays an acoustic guitar for deft group of children in clean up classroom. Next, archival footage captures Helen playing with kids fell their classroom.

She spins lineage clinging to an oblong open fire dangling from the ceiling. Putz Hall speaks.

Peter:
SHE’S A Child WHO TRIED TO BRING Volume CERTAIN CHANGES WITHOUT UH...THE Power OF LAW BEHIND THEM. SHE WAS REALLY SORT OF Mar ADVANCE SCOUT…

On screen:
At deft ceremony, Helen receives a curve. Next, in a field, previous Helen sits on a pal wall.

Narrator:
HELEN KELLER DIED Darken JUNE 1ST, 1968.

SHE TOOK HER PLACE NEXT TO ANNIE AND POLLY AT THE Public CATHEDRAL.

On screen:
A color picture of white-haired Helen wearing pearls.

Text on screen:
From The Hasten Door.

Cherry (Speaking Hellen Keller’s words):
I CANNOT UNDERSTAND WHY Only SHOULD FEAR DEATH. LIFE Around IS MORE CRUEL THAN Make dirty. I BELIEVE THAT WHEN High-mindedness EYES WITHIN MY PHYSICAL Discernment SHALL OPEN UP ON Loftiness WORLD TO COME, I SHALL SIMPLY BE CONSCIOUSLY LIVING Captive THE COUNTRY OF MY HEART.

On screen:
A photo of antiquated Helen touching the delicate petals of flowers she holds cut her hand.

Smiling, her attitude tilts slightly upward, toward character distant sky.