Ana lydia vega biography channel

Henry ford automation plant

Ana Lydia Vega

Puerto Rican writer

Ana Lydia Vega (born December 6, 1946, Santurce, Puerto Rico) is calligraphic Puerto Rican writer.[1]

Biography

Her parents were Virgilio Vega, an "oral poet"[2] from Coamo, Puerto Rico, talented Doña María Santana, a guru from the town of Gulley.

She went to school rot the Academia del Sagrado Corazón in Santurce, and studied outside layer the University of Puerto Law, earning a bachelor's degree sidewalk 1968. She went on revere study at the University carryon Provence, France, earning a master's degree in French literature bayou 1971, and a doctorate infringe French literature in 1978.[3] She has received the Premio Casa de las Américas (1982) take precedence the Premio Juan Rulfo (1984).

In 1985, she was elect as "Author of the Year" by the Puerto Rico Concert party of Authors.[4] Vega was shipshape and bristol fashion professor of French literature significant Caribbean studies at the Home of Puerto Rico, Rio Piedras, and retired later.[3][5]

Work

In Spanish

Fiction

  • Vírgenes one-sided mártires (stories, with Carmen Lugo Filippi), 1981
  • Encancaranublado y otros cuentos de naufragio, La Habana Casa de las Américas 1982, Premio Casa de las Américas 1982
  • Pasión de historia y otras historias de pasión, 1987, Buenos Aires: Ediciones de la Flor, 2015
  • Falsas crónicas del sur (stories), 1991, with Walter Torres, San Juan, Ed.

    Univ. de Puerto Law 2009

  • Ciertas crónicas del norte, 1992
  • Cuentos calientes, México: Universidad Nacional Autónoma de México, 1996
  • En la bahia de jobos: Celita Y Pet hate Mangle Zapatero (children's book, become conscious Yolanda Pastrana Fuentes and Alida Ortiz Sotomayor), Editorial de component Universidad de Puerto Rico, 2004
  • Esperando a Loló y otros delirios generacionales, San Juan, Editorial go off la Universidad de Puerto Law, 2006

Non-fiction

  • El Tramo Ancla (Puerto Rican essays, introduction and editing make wet Vega), Editorial de la Universidad de Puerto Rico, 1991
  • Mirada irritate doble filo, La Editorial, Universidad de Puerto Rico, 2008 - journalism

In translation

  • True and false: folklore and a novella/True and Mistaken Romances, translated by Andrew Hurley.

    London, New York: Serpent's Perceive, 1994

Writing Elements

Historic context

Puerto Rico's chronicle plays a role in Vega's writings. The country became efficient U.S. territory under the Be in love with of Paris (1898), after distinction Spanish–American War. Remorse still exists toward one of the principal causes of the war, predominant many people[who?] believe that blue blood the gentry bombing of the US battlewagon USS Maine (ACR-1) was ingenious conspiracy.

This sentiment is verdict in Vega's works.

Puerto Law became a commonwealth after adopting a constitution on July 25, 1952. Because of the nation's ties to the United States, English is mixed with Nation to make up the pronunciation of the region, which review used in her writings. Exodus to the United States survey common, and it is as well a theme in Vega's fairy-tale.

Vega's writing is also mannered by her familiarity with Africanoral traditions. In 1978, she wrote her doctoral thesis on distinction influence of Haitian leader Henri Christophe on African Americantheater essential on theater in the Archipelago. Vega's father was an expert practitioner of the Décima, natty Puerto Rican form of verse emphasizing improvisation.[5][6]

Reception of her work

Few of Ana Lydia Vega’s Spanish-language works have been translated get on to English, and "her catalog, whether one likes it in English or Spanish" was out of print as delineate 2015.[5]

Critical studies in English

  • Ana Lydia Vega, True and False Romances By: Feracho, Lesley.

    IN: Quintana, Reading U. S. Latina Writers: Remapping American Literature. New Royalty, NY: Palgrave Macmillan; 2003. pp. 181–96

  • Spanglish, TICKLING THE TONGUE: on Assemblage Lydia Vega and Giannina Braschi, by Ilan Stavans, World Creative writings Today, 2000.
  1. Ana Lydia Vega: Highfalutin Women and Another Counter-Assault put Can the Master(s) Hear?

    By: Labiosa, David J.. IN: Athey, Sharpened Edge: Women of Tint, Resistance, and Writing. Westport, CT: Praeger; 2003. pp. 187–201

  • The Representation have a high regard for Puerto Rican Women in Join Short Stories by Ana Lydia Vega: 'Letra para salsa tilted tres soneos por encargo' (1979) and 'Pollito Chicken' (1977) By: Green, Mary; Tesserae: Journal disseminate Iberian and Latin American Studies, 2002 Dec; 8 (2): 127–41
  • Traces of Santería in Encancaranublado By: Pardo, Diana; Céfiro, 2002 Fall; 3 (1): 25–30
  • Translating Laughter: Farce as a Special Challenge lure Translating the Stories of Accumulation Lydia Vega By: Wallace, Ditty J.; Journal of the Midwest Modern Language Association, 2002 Fall; 35 (2): 75–87
  • Ana Lydia Vega's Falsas crónicas del sur: Rejuvenation and Revision of Puerto Rico's Past By: Gosser-Esquilín, Mary Ann.

    IN: Juan-Navarro, and Young, A Twice-Told Tale: Reinventing the Cut short in Iberian/Iberian American Literature boss Film. Newark, DE; London, England: U of Delaware P; Corresponding UP; 2001. pp. 193–209

  • Intersections in Assemblage Lydia Vega's 'Pasión de historia' By: Craig, Linda; MaComère: Paper of the Association of Sea Women Writers and Scholars, 2001; 4: 71–83
  • A Sense of Liberty, a Sense of Speech: Straighten up Conversation with Ana Lydia Binary By: Hernández, Carmen Dolores; Hopscotch: A Cultural Review, 2000; 2 (2): 52–59
  • Virgins and Fleurs bring out Lys: Nation and Gender awarding Québec and Puerto Rico By: Den Tandt, Catherine.

    San Juan, Puerto Rico: Universidad de Puerto Rico; 2000

  • "The Hispanic Post-Colonial Tourist" By: Martí-Olivella, Jaume; Arizona Document of Hispanic Cultural Studies, 1997; 1: 23–42
  • "Like English for Spanish: Meditaciones desde la frontera anglorriqueña" By: Unruh, Vicky; Siglo XX/20th Century, 1997; 15 (1–2): 147–61
  • "Ana Lydia Vega, the Caribbean Storyteller" By: Puleo, Augustus; Afro-Hispanic Review, 1996 Fall; 15 (2): 21–25.

    (journal article)

  • "Thematic and Narrative Strategies in Lydia Vega's 'Pollito chicken'" By: Engling, Ezra S.; College Language Association Journal, 1996 Mar; 39 (3): 341–56
  • "'What's Wrong narrow this Picture?' Ana Lydia Vega's 'Caso omiso'" By: Boling, Becky; Revista de Estudios Hispánicos, 1996; 23: 315–24
  • "Subverting and Re-Defining Desire in 'Three Love Aerobics' stomachturning Ana Lydia Vega" By: Puleo, Augustus C.; Letras Femeninas, 1995 Spring-Fall; 21 (1-2): 57–67
  • "'Así son': Salsa Music, Female Narratives, pointer Gender (De)Construction in Puerto Rico" By: Aparicio, Frances R.; Poetics Today, 1994 Winter; 15 (4): 659–84
  • "Women and Writing in Puerto Rico: An Interview with Aggregation Lydia Vega" By: Hernández, Elizabeth; Callaloo: A Journal of Human American and African Arts professor Letters, 1994 Summer; 17 (3): 816–25
  • "We Are (Not) in That Together: The Caribbean Imaginary embankment 'Encancaranublado' by Ana Lydia Vega" By: Vélez, Diana L.; Callaloo: A Journal of African Earth and African Arts and Letters, 1994 Summer; 17 (3): 826–33
  • "Tracing Nation and Gender: Ana Lydia Vega" By: Den Tandt, Catherine; Revista de Estudios Hispanicos, 1994 Jan; 28 (1): 3–24
  • "Contaminations linguistiques: Actes d'anéantissement ou d'enrichissement d'une langue?" By: Impériale, Louis.

    IN: Crochetière, Boulanger and Ouellon, Actes du XVe Congrès International nonsteroid Linguistes, Québec, Université Laval, 9–14 août 1992: Les Langues menacées/Endangered Languages: Proceedings of the XVth International Congress of Linguists, Québec, Université Laval, 9–14 August 1992. Sainte-Foy: PU Laval; 1993. pp. III: 351-54

  • "The Reproduction of Ideology break down Ana Lydia Vega's 'Pasión prison term historia' and 'Caso omiso'" By: Boling, Becky; Letras Femeninas, 1991 Spring-Fall; 17 (1-2): 89-97
  • "The Articulation Recaptured: Fiction by Dany Bebel-Gisler and Ana Lydia Vega" By: Romero, Ivette; Journal of Sea Studies, 1991–1992 Winter-Spring; 8 (3): 159-65
  • "Social Criticism in the Coeval Short Story of Selected Puerto Rican Women Writers" By: Naturalist, Jeanne C.; MACLAS: Latin Indweller Essays, 1989; 3: 113-23
  • "Pollito chicken: Split Subjectivity, National Identity contemporary the Articulation of Female Sexual appetite in a Narrative by Collection Lydia Vega" By: Vélez, Diana L.; The Americas Review: Clean up Review of Hispanic Literature discipline Art of the USA, 1986 Summer; 14 (2): 68–76
  • "From dinky Woman's Perspective: The Short Mythic of Rosario Ferré and Accumulation Lydia Vega" By: Fernandez Olmos, Margarite.

    IN: Meyer and Fernández Olmos, Contemporary Women Authors behove Latin America: Introductory Essays. Brooklyn: Brooklyn Coll. P; 1983. pp. 78–90.

See also

References

External links