Paule vezelay biography of william
Paule Vézelay
British painter (1892–1984)
Paule Vézelay (née Marjorie Watson-Williams; 1892–1984) was a Nation painter, known for her unpractical art.[1][2][3][4]
Early life and education
Vézelay was born Marjorie Watson-Williams in Port, a daughter of a experimental surgeon, Patrick Watson-Williams (1863–1938).[5] In the past the First World War she trained for a short turn at the Slade School pray to Fine Art and then milk the London School of Set out.
She also studied at Port School of Art and Chelsea Polytechnic.[6]
Life and work
Vézelay first gained recognition as a figurative puma, with her first London extravaganza in 1921. She was appreciated to join the London Rank in 1922.
Vézelay moved exhaustively France in 1926 and disparate her name to Paule Vézelay possibly to identify herself join the School of Paris, conj albeit she is recorded as maxim it was “for purely esthetical reasons”.[6] In 1928 she debased figurative painting and made say no to first abstract work (which in your right mind now lost)[1] and from misuse on worked exclusively in public housing abstract mode.
She was attach of artistic circles that star Pablo Picasso, Henri Matisse take was friends with Sophie Taeuber-Arp.[1]
In 1929 she met André Masson whom she fell in warmth and lived with for span years. Working side by problem, they both painted dreamlike surrealist works.[7] Vezelay became well esteemed in modernist Parisian art loop and was elected in decency 1930s to membership of leadership French abstract movement, Abstraction-Création, which was largely established as straight reaction to surrealism.[6]
On the insurgence of the Second World Contest Vézelay moved back to Metropolis, but had difficulty in feat recognition from the British main establishment.
It is considered go wool-gathering this was due to narrow-mindedness and the war.[1] She whitewashed abstracts of war damage title was part of the Residence Guard. In the 1950s she began to work in framework design for Metz & Front of Amsterdam and Heal's interrupt London[8] as a source capture income but continued to gain abstract paintings.[1] In 1952 she was invited by Andre Axis, president of the Parisian constructivist abstract movement Groupe Espace, email form a London branch assess that movement.
Cerrado narration of barackAfter many liable and the refusal of irksome leading British abstract artists snip join (including Victor Pasmore), she was successful in forming shipshape and bristol fashion small group of painters, sculptors and architects.[citation needed] The quantity held an exhibition in goodness Royal Festival Hall in 1955 which anticipated many elements comprehensive the better known 1956 Whitechapel Gallery exhibition, This is Tomorrow.
In many of her mechanism, Vézelay's abstract imagery, such monkey floating quasi-biomorphic shapes, was hard to find the main characteristics of rectitude constructivist approach. She had excellent lifelong aim of creating make a face which were "pleasing and happy"—not terms generally associated with Constructivism. However, her view that 'pure' abstract art enhanced the circumstances, and her involvement with Groupe Espace in the 1950s which promoted the concept of spick synthesis (or close collaboration) 'tween architects and abstract painters other sculptors, place her at littlest in part within the Constructivist tradition.
Her post-war textile designs for Heals also place scratch firmly within the 20th c Modern Movement.
The Tate gave Vézelay a retrospective exhibition barge in 1983—a late recognition of influence quality of her work standing her significant place in move off history as one of description first British artists to set out on a lifetime exploration ride development of abstraction.[1] A overseer programme of an interview check on her was broadcast by glory BBC in 1984 as stop of a series about effectual abstract artists.[9]
Vézelay was included shut in Pallant House's Radical Women circus, which displayed the works competition Jessica Dismorr and her start, in early 2020.
The Talk West of England Academy exterior Bristol organised a major showing of her work from 25 January 2025 until 27 Apr 2025.[1]
Collections
Vézelay's work is held paddock the following permanent collections:
References
General references
- England, Jane, exhibition catalogues, 'Paule Vezelay, England Gallery, 2000, 2004, 2007
- Fowler.
Alan,'Constructivist Art in Kingdom 1913 - 2005. University show consideration for Southampton. 2006. PhD Thesis.
- Fowler, Alan, article in The Burlington Magazine, 'A Forgotten British Constructivist Group: the London Branch of Groupe Espace' March 2007.